The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Smart and suspenseful and the acting is first rate. The movie's ending is quite literally stunning. The details of Prisoners' intricate mystery will stay with you, as will its disturbing moral questions.
Face fuzzed with a dark beard more intimidating than Wolverine's, Hugh Jackman is a feral presence, a savage force untamed by his own faith in the all-forgiving divine, in one of the year's most thrilling edge-of-seaters.
Villeneuve manages to keep us on the edge of our seats without being able to take our eyes off the screen in this fascinating and hypnotic tale that weaves into images the marvelous script written by Aaron Guzikowski. [Full Review in Spanish]
Prisoners is a devastating ordeal through the Villeneuve's impressionistic prism. It's a testament to all involved that you want to revisit the ugliness of the story for the artistry of its construction.
Denis Villeneuve made the Foreign Language Film Oscar nominee Incendies, but his American debut Prisoners just reheats the heavy-handed, high-gloss revenge porn of The Girl With the Dragon Tattoo and the aforementioned Mystic River.
Like a more downbeat Zodiac, Prisoners is a rich, expansive procedural revolving around a horrible crime in which a satisfactory resolution only seems to get further away from its protagonists the more they obsess over the case.