Professor Layton And The Eternal Diva (Reiton kyôju to eien no utahime) (2009)
Critic Consensus: No consensus yet.
Professor Layton And The Eternal Diva (Reiton kyôju to eien no utahime) Photos
Critic Reviews for Professor Layton And The Eternal Diva (Reiton kyôju to eien no utahime)
Audience Reviews for Professor Layton And The Eternal Diva (Reiton kyôju to eien no utahime)
Charming mystery story. The story gets a bit absurd in the third act, but the atmosphere and characters make it a wonderful journey.
Video game film adaptations are notorious among filmgoers because of their poor quality and notorious among gamers for a lacked of faithfulness to the source material (Max Payne), over reliance on the source material (Prince of Persia), or questioning said game being adapted to film (Super Mario Brothers). What works in a video-game narrative structure won't work the same way onto film. Both are vastly different needing specific elements to function. Professor Layton and The Eternal Diva is different taking what gamers love about the video game series and put it into a narrative that anyone could into regardless of their position to the series. Professor Layton and The Eternal Diva follows Layton and his apprentice Luke caught up in an adventure, when a masked figure steals an entire opera house and forces those in attendance to play a high-stakes game. The film takes place between the fifth and fourth entry in the game series building upon establish lore for fan while for the uninitiated serving as a standalone film without needing prior knowledge to enjoy. One element retain from the game are the puzzles. Just like in the video game, the puzzles are presented as puzzles allowing the viewer enough time to form their own conclusion. Unfortunately this element does not last long as viewer participation to form solutions faces two main issues; characters will either solve puzzles for us too quickly or plot convolution will create a major plot thread of seemingly insignificant things. Despite the puzzles not working entirely to the film favor the mystery keeps enough level of intrigue for viewers to be invested. The Legend of Ambrosia-a myth based on authentic Greek mythology-the film also surrounds itself with real world mythos. This supplements both fans and newcomer with something both are familiar with taking advantage of the rich myth its mystery is based around. Another area the film works is it faithfulness to the characters and matching the over the top spirit of the series. The film makes a wise choice to introduce its main cast as if we were meeting them for the first time. Choices like these is why the narrative works as a whole. Fans will be able to spot references to the video-game series and notice returning characters, but never loses focus in its main narrative. Characters on the other hand are given enough development to seek things through, but not enough to care about them. A lack of urgency due its plot convolution won't make you worried about the character lives. They do however offer some comedic moments and room for interesting conversations. This helps some of the film more dramatic scenes still pack a punch even without any attachment. When it reaches an extensive climax it where it stretches itself and most of it problems become noticeable. Plot convolutions, a lack of viewer involvement in solving puzzles, and no urgency all make a present. Even with a flawed overstretched climax it ends on a good note. The art style is a mixture of European influences with more traditional anime styling. Character features and movement are overly exaggerated like an anime. Environments and characters design are drawn in clear line (or Ligne Claire) European style featuring strong colors and a combination of cartoonish characters against a realistic background without anything appearing flat. The film also uses a considerable amount of CGI for some of its more harrowing moments. It's CG usage stick outs badly not fitting exactly with anything matching the hand drawn visuals. Thankfully CG is strictly use within the realm of the mechanical like a car meaning CG will only serve a mild distraction when on screen. Tomohito Nishiura and Tsuneyoshi Saito have produced the music for several of the Professor Layton game titles. Their signature classical compositions that will appease viewers. Voice acting is solid, but far from subtle. In the English dub lip syncing can be off noticeably and some voice actors will go on for long periods simply shouting their lines. At least what's make it voice work bearable is the authenticity of the talent. Effort from the cast is evidence even if they don't know how to approach reading a line. Professor Layton and The Eternal Diva is a step forward for video-games film adaptation keeping what fans like about the series while also structuring its narrative so anyone can get into it. Granted solving the puzzles isn't as fun as in the video games missing a sense of urgency along with it. Both fans and the average filmgoers will find flaws with the film, but is a decent a film that gets right what so many video game film adaptation get wrong.
Note: The English dub is the version viewed. Movies adapted from video games have earned a bad name for themselves. Usually terrible films that even fans of the source material tend to rebuke, video game movies are generally something to be avoided. Still, there are exceptions, Professor Layton and the Eternal Diva, being one of them. While Professor Layton and the Eternal Diva isn't perfect as well as being heavily flawed, it's still an entertaining and satisfying film that goes above what is often expected of video game films. In a condensed form, the plot follows brilliant detective Professor Layton and his young apprentice, Luke Triton as they find themselves, as well as a large crowd of people, trapped in an opera house and slowly being picked off one by one in something of a tragic game. By solving puzzles, Layton and Luke, as well as their friend Janice Quatlane, must survive these puzzles in hopes of apprehending the culprit responsible. Japanese anime (or really any form of anime) has never been my particular cup of tea. And if you truly detest the genre, I recommend staying far away from this, as it's unlikely to change your mind. In fact, it may cement that opinion. However, keeping an open mind through the quirks and oddities one finds in anime, I found myself actually enjoying myself somewhat. The film opens with a one minute intro that more or less explains that this films is based off of a popular video game series, among a few other things. This feels very much like a commercial, and it's hugely unnecessary. Thankfully, it's short. The plot is surprisingly engaging. While it starts a little slow, it isn't too long before the ball gets rolling and in true 'And Then There Were None' style, groups of people and disposed of repeatedly. The film becomes more frenzied and more intriguing. At times, the film is surprisingly creepy. At times, the film feels very much like a video game. And there are things the film does that would only work in a video game, and simply doesn't work in this film. Some things that don't work is the utter improbability of much of what's going on. For example, Layton at one point, builds a helicopter out of materials he finds in a shed and uses it to fly to a nearby island. This would be acceptable in a video game, but in a film, viewers are much more unlikely to suspend their belief in reality. Some elements of the mystery seem hugely obvious, and some characters are far too oblivious of them for far too long. Also, those who have not played some of the Professor Layton games will not know several characters whom are in the film, but without proper introduction. And despite being a mystery, there are many things left open ended and unexplained. While this may not bother some, others may feel disappointed. Attempts at humor are made, but it's all painfully unfunny. Never did I laugh, but humor is not the primary focus, so this can be excused. What cannot be excused (and this is the primary reason that I'm not giving this a higher score) is a tedious, dull, and improbable action sequence near the end. It lasts 20 minutes, and frankly, it was 20 minutes too long. This represented the lowest point of the film. I may be saying a lot of negative things about this film, but I did enjoy it. The plot is intriguing, characters are interesting, but what got me the most, is the ending. An absolutely beautiful and poignant finish. I won't spoil the details here, but you'd be surprised at the emotional depth displayed here. Voice acting is will make those unexposed to anime cringe. The fact is, it's all hugely exaggerated and often laughable. The more bearable of the voice talents are Christopher Robin Miller as Professor Layton, Emma Tate as Janice Quatlane, and Robbie Stevens as Oswald Whistler. While the animation isn't stunning, it's serviceable. Mixing hand-drawn animation and CGI, the animation is pleasant, if far from eye-popping. Perhaps the best aspect of the film (other than the beautiful ending) is the score, composed by Tomohito Nishiura and Tsuneyoshi Saito. Utterly charming and wonderfully inventive, the music is fun, unique, and quite breathtaking at times. While parts of the 20 minute action sequence at the end go overboard with the synthesizers (as this represents not only the low point in the film, but the low point in music), the score is surprisingly effective, and even stunning. There's a masterpiece somewhere in Professor Layton and the Eternal Diva. Somewhere, there's a beautiful and perfect film trapped in it's heart. Unfortunately, only some the majesty this film tries to produce is executed, leaving a flawed and utterly improbable film in it's place. But for all I dislike about this film, Professor Layton and the Eternal Diva still provides a mostly entertaining story, with an ending that's better than it has any right to be.
Professor Layton And The Eternal Diva (Reiton kyôju to eien no utahime) Quotes
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