Prometheus (2012)



Critic Consensus: Ridley Scott's ambitious quasi-prequel to Alien may not answer all of its big questions, but it's redeemed by its haunting visual grandeur and compelling performances -- particularly Michael Fassbender as a fastidious android.

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Ridley Scott, director of Alien and Blade Runner, returns to the genre he helped define. With Prometheus, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race. -- (C) Official Site
R (for sci-fi violence including some intense images, and brief language)
Action & Adventure , Drama , Horror , Science Fiction & Fantasy
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Noomi Rapace
as Elizabeth Shaw
Charlize Theron
as Meredith Vickers
Idris Elba
as Janek
Guy Pearce
as Peter Weyland
Logan Marshall-Green
as Charlie Holloway
Sean Harris
as Fifield
Rafe Spall
as Millburn
Emun Elliott
as Chance
Patrick Wilson
as Shaw's Father
Branwell Donaghey
as Mercenary 1
Vladimir Furdik
as Mercenary 2
C.C. Smiff
as Mercenary 3
Shane Steyn
as Mercenary 4
Ian Whyte
as Last Engineer
John Lebar
as Ghost Engineer
Daniel James
as Sacrifice Engineer
Lucy Hutchinson
as Young Shaw
Louisa Staples
as Greeting Message Violinist
James Embree
as Mechanic 1
Florian Robin
as Mechanic 2
Matthew Burgess
as Mechanic 3
Eugene O'Hare
as Mechanic 4
Giannina Facio
as Shaw's Mother
Richard Thomson
as Archaeological Assistant
Dr. Anil Biltoo
as Linguist Teacher
Jenny Rainsford
as Archaeological Assistant
Philip McGinley
as Archaeological Assistant
Rhona Croker
as Archaeological Assistant
Wambui Wa Ngatho
as Automated Voice (Swahili)
Zed Sevcikova
as Automated Voice (Czech)
Sonam Dugdak
as Automated Voice (Tibetan)
Reynir Thor Eggertsson
as Automated Voice (Icelandic)
Shin-Ichiro Okajima
as Automated Voice (Japanese)
Charalambos Dendrinos
as Automated Voice (Greek)
Berhane Woldegabriel
as Automated Voice (Amharic)
Annie Penn
as Ship Computer Voice
Wannaporn (Kay) Rienjang
as Automated Voice (Thai)
Robin Atkin Downes
as Ship Computer Voice
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Critic Reviews for Prometheus

All Critics (273) | Top Critics (50)

Prometheus is scary only in the sum of instincts and talent for movie-making that have been lost.

Full Review… | June 17, 2013
The New Republic
Top Critic

The movie may be a scare show that leaves many questions unanswered, but Scott's craft earns an exhausted kind of respect.

Full Review… | June 17, 2012
New Yorker
Top Critic

While I was completely engrossed in 'Prometheus', I felt a tug-of-war going on between the cerebral and visceral elements, right up to the finale.

Full Review… | June 14, 2012
Top Critic

Brilliant. Epic. Haunting. Grotesque. Great.

Full Review… | June 8, 2012
Top Critic

The setup is familiar-the mysterious planet, the slick tunnels, the shocking bodily violation, the broken quarantine, etc. So why is there a gaping hole where the dread should be?

Full Review… | June 8, 2012
Time Out
Top Critic

Prometheus tells a much bigger story and does it well, but it's missing what matters most. It's inorganic.

Full Review… | June 8, 2012
New York Magazine/Vulture
Top Critic

Audience Reviews for Prometheus


An ambitious movie not only in its outstanding visuals but also in ideas, though the existentialist debate never goes beyond the most obvious, and even if supported by a gripping mystery, this is a frustrating effort that only cares about coming up with more and more questions than ever bothering to answer them.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

A smart, slam-bang thriller that engages its audience from its mysterious opening shot all the way to its open-ended conclusion, featuring a team of scientists (led by Noomi Rapace) who journey to a distant planet in the year 2093 in hopes of uncovering hidden secrets regarding mankind's beginning and the meaning of life. Ridley Scott's visual scope is impeccable right from its opening tracking shot of the hills of Scotland, and the way he packs his film with atmosphere, tension, and absolute horror is a welcome surprise to the banal horror films (with exception to "The Cabin in the Woods", namely) we have received lately. Sure, the film is not a mastery in how to develop characters (but neither were "Alien" or "Aliens", two films that are considered to be all-time greats by many, many people, including me), but it is an old-school lesson in how to properly freak out your audience, all while inputting a philosophical spin that is completely arresting. Although the film could have expanded on its "faith vs. science" battle, and there are some notable, inexcusable plot holes, it still works due to its cast. Everyone involved gives fantastic performances (Noomi Rapace, aka the original "The Girl with the Dragon Tattoo" is outstanding, as is Michael Fassbender as the android David), there are tons of scares, all concluded with an ending straight out of Hell. Flawed, absolutely, but still an engaging, arresting, beautifully shot philosophical blast of a film whose ambiguity is frustrating and ballsy at the same time.

Dan Schultz
Dan Schultz

Super Reviewer


Its the future and scientists have found the traces of early alien visitation on Earth, and can trace the traces. So begins Ridley Scott's adventure to find the source of humanity. Heady stuff, so described, but like many stories, a great sendoff is not guarantee of even a fitting conclusion, which is where this tale sadly drops the ball. Sadly because not only is humanity's origin the premise but, more ominously, more thematically exciting, the origins of that cute and lovely little bitch Sigourney Weaver fights in Aliens. This is a roller coaster ride I want in on. Fassbender owns the movie as the most interesting character. Whatever will the willful curmudgeon do next? Charlize Theron follows closely but is given nada to do. Idris Elba is shaped to be the manly old style sci-fi hero, but blink and you'd miss him. Guy Pearce is there (as another honored competitor has noted) but why? Which leaves Noomi Rapace to flail around the sets, perhaps herself wondering why. And so finally yet another film demonstrating quite succinctly that the most essential special effect in movies is the writer.

Kevin M. Williams
Kevin M. Williams

Super Reviewer

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