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Critic Reviews for Protagonist
Many will be moved by Protagonist and its reminders that we are all struggling to find versions of ourselves to live up to.
At first, the technique seems gimmicky, but finally it's as compelling a perspective as any to understand how these men passed through agony to some sort of peace.
Yu's film may be challenging to synopsize, but it's thoroughly engrossing and wildly surprising.
None of the talking heads is as interesting as [director] Yu thinks they are; and it's difficult to build sympathy for any of them.
While [director] Yu's experimental approach brings valuable insight to the human condition, the interviews themselves too rarely measure up to her ambitious structure.
Protagonist is an enthralling documentary exploration of people with obsessive needs for control and self-mastery.
Audience Reviews for Protagonist
I'm a sucker for a piece like this: the film-maker takes a set of subjects, usually a small amount in the range of 3 to 6 and interviews them all seperately, never has them meet or needs to see them meet, but uses some central theme, some shared condition to unify true stories that one would usually consider to be in totally different worlds from each other. Basically, these films show us the constants of being human and reveal our universal qualities. They place a spotlight at a millimeter distance from the human condition and show it to us. Does this film ever get to that lofty, poetic, and transcendent place? Not for me, but I see that it has the elements to do it for other people. One thing that is not universal after all, are our emotional reactions to art. I think this is a must watch. I really love the tie-in element of the Greek puppetry theatre, and the film-maker picked some incredibly interesting subjects.
[font=Century Gothic]By taking a page out of Errol Morris' playbook, with the documentary "Protagonist," Jessica Yu has made a mildly successful and occasionally perplexing film(sorry, but I don't get the whole Greek puppets thing...) with four ordinary men, Mark Pierpont, Hans-Joachim Klein, Joe Loya and Mark Salzman testifying about troubled times in their lives.(Of the four, Klein is the most notorious of the four due to his involvement with terrorists in West Germany in the 1970's including the infamous Carlos the Jackal. For this reason, he is also not the most fortcoming, sounding a little naive in fact. Remember, if somebody ever hands you a loaded gun, playtime is over.) What she is after is an exploration of masculinity as all the men included here were missing something from their lives when they were younger, be it a parent's love or a cause, and were lured by the siren song of fanaticism.[/font]
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