The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Susan Dynner's documentary about the past 30 years of punk music doesn't exactly break any new ground. But it does offer an entertaining overview that is leavened with humorous philosophical digressions.
About as in-your-face and raggedy as its subject, Dynner's film is really less of a history than a psychological profile, rooting around for the meat of what makes punk so resilient, cross-generational and communal.
Whether you're a kid with a fresh coat of shellac on your Mohawk or an aging hipster still clinging to the Johnny Rotten school of snot, it's a film that enlightens the debate and demonstrates without a doubt that when punk disappears, it never truly dies
Structured very loosely along chronological lines, Punk's Not Dead takes core samples from musical forefathers, mid-period bands, and snotty young kids, building a jangly, contradictory mosaic as it goes.
Pacy, broad-based overview of the punk rock scene from 1977 to present packages a who's who of luminaries and rare performance clips into a vibrant proof-of-life statement underpinned by keen analysis of sociopolitical issues.