The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The opposing trajectories of Ralph and Vanellope's friendship, fueled by their mutual insecurities and hurt, gives Ralph Breaks the Internet the little bit of heart it needs to keep from becoming mere product.
Reilly does nice work playing his big lug's insecurity and struggle to let his friend go, but Silverman delivers a performance that's downright moving in its expression of yearning - on a couple of different levels, interpretation depending.
It would be better if it went further and wrestled more with the online world than used it as another bits and bytes background. Really, it doesn't quite live up to the title. Ralph could have done more damage.
What makes the movie compelling, despite the subdued dramatic payoff, is that it is a heightened reflection of our experience - our love affair, really - with our gadgets, our apps and, yes, our brands.
It's funny and absorbing, and Moore and Johnston unload some real zingers for the internet age (their interpretation of a comments section will speak to anyone who works on the 'net, chilling to the bone).
You'll LOL, you'll cry-emoji, you'll never look at a pop-up ad the same way again. And while the new "Ralph" falls short of the original's brilliance, any adventure with the big oaf and his glitchy BFF is #winning.
A witty, fastidiously imagined adventure and a touching, sometimes troubling ode to the power of friendship. But it also demonstrates some of the problems that can befall a movie when its vast ambition and confidence outstrip its finesse.