The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Reader is a dull slog of a movie gussied up by two Oscar-nominated actors -- Kate Winslet and Ralph Fiennes. If not for them, as well as an impressive performance by virtual newcomer David Kross, there would be nothing positive to say about it at all.
At times The Reader is an interesting exploration of both the needs of man and the limits of law. But there are so many dead spots in the film after it gets rolling that the rolling too often comes to a stop.
Winslet is outstanding, particularly given that Hanna is such an unsympathetic character. We never quite feel sympathy toward her, and it's testament to Winslet's skill and confidence that she never really asks us to.
Told, coolly...the novel was hugely popular as well as controversial worldwide and an Oprah's Book Club selection besides. I'm afraid it needed a different set of interpreters to make any emotional sense of it onscreen.
Provocatively intentioned, The Reader is a movie worth seeing -- the kind of film you'll think about for days afterward. But when all is said and done, you're likely to wonder why the impact wasn't greater still.
The whole film, in fact, with its loping pace and plaintive score, feels like a woefully polite, not to say British, take on a foreign horror; was there really no one, from the fierce new wave of German filmmakers, prepared to dramatize the Schlink?