The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In this echo chamber of fame-for-fame's-sake, real life imitates reel life. There's a lurid, Felliniesque sheen to Garrone's floating camerawork; this is reality tweaked, dialed up to 10.1. And there's a cheeky, sideways satire of Roman Catholicism.
Reality is a little too thin to be truly satisfying. However, Garrone's elegant visual palette and Arena's remarkable central performance shift a potentially trite message into a gloriously warm and novel experience.
Those who found Gomorrah embarrassingly overrated can relax. Despite a first half that's basically a spin-off of the 2008 movie that brought Matteo Garrone international acclaim, Reality turns out to be its veritable refutation.
Felliniesque is a term that gets bandied about frequently, but few films actually capture the spirit of the Italian master in his prime. Matteo Garrone's Reality earns its keep without resorting to mere imitation.