The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
When Red Flag really hits its stride, which happens somewhat late in its second act, it becomes the film it should be through and through -- a funny, well-observed, keenly acted feature about drama, trauma, and second chances.
This could be a recipe for excessive self-indulgence, but the meta quality of "Red Flag" is entirely irrelevant to its low key charm and persistent irreverence -- anchored, as always, by Karpovsky's loopy screen presence.
Establishes Karpovsky as the Woody Allen of the digital media generation: As he presents himself here, he is as self-absorbed as Allen, but his comfort with new technology results in a lo-fi video diary that the perfectionist Allen would eschew.
Modest, personal, and nicely proportioned, Red Flag resembles one of Hong Sang-soo's self-reflexive doodles about relationships and filmmaking-Oki's Movie, in particular-and it wisely doesn't take too big a bite.