Red Hill (2010)
Critic Consensus: Though its attempts to rework genre conventions may fall flat with some, Red Hill is a beautifully shot, tightly paced thriller that marks a strong debut for director Patrick Hughes.
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Critic Reviews for Red Hill
As short on originality and sustained tension as it is long on striking widescreen vistas and impressive technical smarts.
Rehashing the cliches from several beaten-to-death movie categories doesn't add up to much.
Patrick Hughes's bloody, brutal Australian thriller handles its B-movie premise with surprising precision, though the inclusion of several befuddling elements annoyingly puncture the suspense.
Under writer-producer-director-editor Patrick Hughes, the suspense level is high and the action constant.
The suspense that director Patrick Hughes manages to mount remains low-grade throughout and the plot never becomes entirely plausible.
Like the best westerns, Red Hill is a stripped-down morality tale; like the best horror movies, its true monsters remain cloaked until the final reel.
Audience Reviews for Red Hill
You could be forgiven for thinking this is a Clint Eastwood style period set western and that's exactly what I thought it was upon seeing the poster design and film title, in fact its set in the present day and is more of a homage to westerns. Being set in the arid merciless Aussie outback of course does make it more of cowboy than cop thriller for sure. The film is pretty unoriginal lets be honest about it, the layout and events are nothing new and do smell strongly of certain saddle bound Eastwood adventures but again..lets be honest here, its a damn good Aussie version of certain saddle bound Eastwood adventures. Beating around no bushes this is a strong violent retribution/revenge thriller that almost kinda boarders on 'The Terminator' in some building and street sequences with its light-less settings, strong shadows and mute anti hero killer. From the start you know something is amiss with the local police force and their gruff leader 'Old Bill', you can kinda tell what will happen really but it doesn't detract from the fun of the film one bit. The cast are unknown to me but pretty big in Oz. Bisley as 'Old Bill' is perfect and really comes across well as the hardened no nonsense chief whilst Lewis is great as the mute aboriginal gunman who at first is intimidating, almost robotic like in his swift killings, but you know all is not as it seems. The lead Kwanten does sort of over act towards the finale as he goes from being a regular guy to a strong stern voiced gunman brewing over with cliches but you feel the tenseness of the finale and you find yourself glued to the screen. Nothing really new to the table here but the whole film looks good and is well acted with a trusted source in the nasty revenge genre to always get the juices flowing, maybe some more nastiness to really bring home the need for revenge was needed though. Highly recommended and much better fair than the usual over hyped glossy Hollywood guff that was 'No Country for Old Men', this is gritty and more down to earth with realistic characters. The Oz factor of course helps this hugely. Still not so sure what the panther subplot was all about though, why was it needed? oh well.
A triumph. Director, Patrick Hughes crafts a fiery directional debut with extraordinary landscapes, chilling story, explosive action and thrilling suspense. Hughes writes, edits, produces and crafts this fine and remarkable example of a modern western stripped to a morality tale. A terrific Australian film that's pumped up with great character development, well-executed action and mystery to make this a memorable and surprisingly effective revenge tale. A taut and first-rate thriller that keeps you on the edge of your seat until the final frame. An exhilarating and pulse-racing thrill-ride. A great cast of Australian talent that truly makes an impression. Ryan Kwanten gives a riveting and utterly compelling performance. Steve Bisley is excellent. Tom E. Lewis is a force of nature, he has all but six lines in the film but bring an intense and chilling presence to his character.
"Red Hill starts off quite slow, but picks up gradually. A town secret soon turns into their worse nightmare in this thriller. Unfortunately the newbie Shane Cooper gets caught in the crossfire. Story isn't too bad. The acting is choppy, but I liked Ryan Kwanten. He was a really good strong lead. He carried the movie and made it watchable. It's not something I would watch again."
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