The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (11)
| Top Critics (2)
| Fresh (11)
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The Red Riding films all come across as great, gritty tales of police corruption and human failing, but it's the first film that has the most impact, mainly because the young reporter Dunford is such a mix of romantic notions.
It is effective at setting the stage, introducing some of the characters, and capturing the attention of those who love gritty, uncompromising dramas about police corruption and the dark side of human nature.
It envisions Yorkshire as a bleak and ugly place, where violence is just as commonplace as Yorkshire pudding.
Cigarettes, leather jackets, bell-bottoms, and dollops of pop music establish the socially agreed upon distractions of the particular bygone time: just a few ways of avoiding ugly truths. [Blu-ray]
With its muted colors but unmuted violence, it's similar texturally to David Fincher's superb Zodiac, about another 70s serial killer. It's also just as disturbing.
This is a noir, the kind where the good-for-nothing gumshoe (here, an investigative reporter) has a habit of getting his face bashed in, usually on account of a girl.
Each film is enriched by collective detail, but it would have been richer had they played off each other rather than extending the argument.
A well-made, expertly performed mystery with the added bonus that there are two more films to watch when this one's over.
...the only one of the films [of the trilogy] which can really stand on its own artistically...
The tenets of crime cinema are well taken care of in 1974, which sets a specifically chest-tightening tone of anxiety and futility that makes the next two pictures (1980 and 1983) impossible to miss.
Tightly helmed by Julian Jarrold (Kinky Boots) . . . (and) beautifully shot, with some sensational acting turns -- especially by Rebecca Hall as one of the victims' mothers.
There are so many questionable scenes in this film, which make the film very intriguing to watch, as it is a trilogy, and all the answers will come forth later. Some of the dialogue makes no sense to me, but it is beautifully filmed and well-plotted, making that okay. "Red Riding: 1974" is essentially about finding a killer of children, but quite honestly, there is so much more behind the screen than you make think. Andrew Garfield is brilliant as Eddie Dunford, the journalist who is in deep investigation. The acting is top notch here and the filmmakers really know how to tell a compelling story. This is a great film!
From the time that Stieg Larsson's Millennium Trilogy had become a world wide accomplishment in crime fiction, there has been a rather large productions of crime fiction films being adapted into cinema. One of which is the Red Riding Trilogy, originally written by David Peace. Now, I know that it is something of a bold statement to say that these crime novels were adapted purely based on the success of Stieg Larsson's novels/ films, but in a way, that seems to be the main idea. Mostly due to people wanting to have a new found taste in crime. But, this is about Red Riding: In The Year Of Our Lord 1974.
Okay, first thing that I need to talk about in terms of this film, and one of the main slashes against it, is how difficult it is to understand anything that any of the characters are saying. Now, this is mainly a problem due to how thick their accents are. The plus about this is that it allows the film to have that dark, British atmosphere that just makes things all the more creepier. The negative is that you can not understand anything that any of the bloody characters are saying. So, take it as you will. Me personally, I liked it because it just added to the atmosphere and the acting itself explains what the characters are saying.
With the direction, nothing really stood out. I mean, yeah, this film was gorgeously shot and the idea of having all the gruesome details spoken about and never shown really did add a good bit to the film. But there are some things that the film could have done without. Mainly talking about the six or more sex scenes that occur. I am glad that you never see anything too explicit, but after a while, it does kind of get irritating and starts slowing down the pace.
The one thing about this film that I need to speak of is up and coming star Andrew Garfield. Prior to this film, I saw him in David Fincher's The Social Network and he was fantastic in that film. But here, he is able to steal the show. What mainly impresses me is how he was able to copy the British dialect, the presence, and basically become a character that I doubt he could ever really pull off. But here he did. At the time this review is being written, he is currently promoting his film The Amazing Spider-Man. It is a pity that most American audiences will know him for being in red and blue tights and not as a deranged, sex loving journalist. He is, and will probably be, the main reason why most people will want to see this film and he does not disappoint.
In the end, I am a sucker for crime fiction and what we have here is a rather nice, dark start to a film series that chronicles that corruption of the law, the Yorkshire Killer, and the way how anyone tries to stop the hero. Yeah, the film is hard to watch due to the dialects and how thick the accents are, but if you must, put on subtitles and watch this film. Trust me: you won't really be disappointed. Yeah, it is not great or a masterpiece, but it is worth a watch.
An intriguing and compelling neo-noir. Though it has the feeling of being incomplete (as the first part of a three part story), it still manages to give the viewer a sense of how far and wide the corruption really goes. The subtlety of some of the connections made by the protaganist really force the viewer to pay attention or wind up losing track of the case....much like a real investigation.
"1974" is a strong, promising start to the RED RIDING TRILOGY. It's a brooding, moody examination of police corruption told in the most bleak fashion possible. It doesn't offer any easy answers, and even key plot elements are revealed subtly.
Though this can confuse and isolate viewers, the film keeps you immersed in it's world and invested in it's characters, especially Andrew Garfield in the lead who really shines here. Sure, Certain elements might seem unclear, but by the end the film really comes together in it's own unique, satisfying way. Hopefully the plot will be further fleshed-out in the final two parts.
(Be sure to get those subtitles ready. The accents are HEAVY in this film and some of the dialogue is near incomprehensible. Also, "1974" is notorious for various audio dips and problems which makes matters worse. The subtitles help greatly).
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