The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Hoffs locks down her characters in unimaginatively framed medium shots, while mixing in a few monochromatic flashbacks, some video footage of the dead patriarch and two fast-cut sequences in a vain attempt at visual variety.
Tamar Simon Hoffs's bland-as-boiled-cabbage adaptation of Joseph O'Connor's play finally hobbles into theaters, reminding us every 15 seconds that just because it looks distinctly American and was shot in California, it's a fookin' Irish movie.
If, as Tolstoy observed, happy families are alike, and each unhappy family is unhappy in its own way, the Dublin-set film Red Roses and Petrol didn't get the message, being a dysfunctional clan movie that feels dispiritingly like all the others.
In Red Roses and Petrol, a soused, post-funeral postmortem on a dysfunctional Dublin family, the misery seeps from the screen in cold, damp waves; by the end you'll be grabbing for the bottle yourself.