Rembrandt's J'accuse (2008)

Rembrandt's J'accuse (2008)




Critic Consensus: No consensus yet.

Rembrandt's J'accuse Photos

Movie Info

Filmmaker Peter Greenaway explored the life and work of the celebrated Dutch artist Rembrandt van Rijn in his 2007 drama Nightwatching, and he returns to this theme in the documentary Rembrandt's J'Accuse, in which he presents an in-depth analysis of one of Rembrandt's best-known paintings, 1642's "The Night Watch." With Greenaway offering an onscreen narration through much of the film, the director presents an illustrated lecture on the artist, the painting, and the many circumstances behind it -- the culture and politics of Holland in the 17th century, the real-life figures depicted in the painting (among them Capt. Frans Banning Cocq and Willem van Ruytenburgh), the controversy that surrounded these men, and the subtle suggestions Rembrandt's representation advanced -- and why some believe backlash over "The Night Watch" brought Rembrandt's career to a premature end. In addition to paintings and text, Greenaway also features several actors who are "interviewed" as key figures in the story: Martin Freeman appears as Rembrandt (as he did in Nightwatching), Eva Birthistle portrays his wife, Saskia, and Emily Holmes and Jodhi May impersonate their household servants. Rembrandt's J'Accuse was an official selection at Toronto's 2009 Hot Docs Film Festival.
Art House & International , Documentary , Musical & Performing Arts , Mystery & Suspense
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Martin Freeman
as Rembrandt van Rijn
Jodhi May
as Geertje
Emily Holmes
as Hendrickje
Jonathan Holmes
as Ferdinand Bol
Jonathan Homes
as Ferdinand Bol
Michael Teigen
as Carel Fabritus
Natalie Press
as Marieke
Show More Cast

Critic Reviews for Rembrandt's J'accuse

All Critics (8) | Top Critics (3)

A generally absorbing if sometimes fog-inducing investigation into the mysteries of the Rembrandt painting The Night Watch.

October 23, 2009
New York Times
Top Critic

[Greenaway] once studied to become a painter himself; apparently, he's harbored dreams of being an amateur sleuth as well.

Full Review… | October 20, 2009
Time Out
Top Critic

Peering beneath the painted surface and searching in the shadows, tracking that which was cut from the canvas and mapping the network of glances that remain, the filmmaker uncovers a foul, lurid, corrupt, and perversely compelling conspiracy.

Full Review… | October 20, 2009
Village Voice
Top Critic

Like all Greenaway films, it's not for all tastes.

Full Review… | January 1, 2011
Ozus' World Movie Reviews

More than merely a resource for art historians and students, "Rembrandt's J'Accuse" is a gift from an underestimated genius of cinema. You might just might want to see it a second time.

Full Review… | October 26, 2009

What starts out as an audaciously polemical, radically inventive film project ultimately feels more like the most elaborate and earnest art history lecture ever delivered.

Full Review… | October 23, 2009
Boxoffice Magazine

Audience Reviews for Rembrandt's J'accuse

A companion piece to Peter Greenway's Nightwatching, it's a fascinating documentary that clears up the events depicted in a movie quite a bit. The director uses an unconventional narrative, sometimes using the actors from the movie as "witnesses" to tell the story. I can't speak as to whether or not the conspiracy theory holds water, but as a movie, it's a captivating watch.

Gabriel Knight
Gabriel Knight

Peter Greenway's companion documentary to his excellent Rembrandt pic "Nightwatching". It feels more like an extended extra/promo for that film than a stand-alone piece. Well-done, but too much of it feels like Greenway is pulling the "evidence" out of thin air. It comes across as a bit self-indulgent at times, as well, with an inset of Greenway's talking head obscuring parts of the very painting he is discussing.

Paul Cardullo
Paul Cardullo

This Peter Greenaway film is heady, dense and intellectually demanding. Big surprise, eh? Mixing documentary style with recreations drawn from his companion film "Nightwatching" (which is much easier to watch), Greenaway himself appears onscreen to narrate a wordy, PhD-level dissection of Rembrandt's celebrated painting "The Night Watch." Relying on another of his easily parodied "list" structures, the director proceeds through 34 numbered mysteries surrounding the work, offering explanations that may or may not be fully provable (I am not an art scholar, so I'm not the one to ask). As with "Nightwatching," the central thesis is that Rembrandt embedded clues in his painting to expose an elite Dutch militia group's murder conspiracy. And furthermore, that this daring act of rebellion led to his upper-crust benefactors shunning him -- thus bringing about his financial ruin.

Eric Broome
Eric Broome

Super Reviewer

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