Reminiscence

2021, Mystery & thriller/Sci-fi, 1h 56m

183 Reviews 1,000+ Ratings

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critics consensus

Although Reminiscence isn't lacking narrative ambition, its uncertain blend of sci-fi action and noir thriller mostly provokes memories of better films. Read critic reviews

audience says

Reminiscence has some great ideas, but clunky dialogue and flat characters keep this sci-fi noir from ever really coming to life. Read audience reviews

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Movie Info

Nick Bannister (Hugh Jackman), a private investigator of the mind, navigates the darkly alluring world of the past by helping his clients access lost memories. Living on the fringes of the sunken Miami coast, his life is forever changed when he takes on a new client, Mae (Rebecca Ferguson). A simple matter of lost and found becomes a dangerous obsession. As Bannister fights to find the truth about Mae's disappearance, he uncovers a violent conspiracy, and must ultimately answer the question: how far would you go to hold on to the ones you love?

Cast & Crew

Critic Reviews for Reminiscence

Audience Reviews for Reminiscence

  • Sep 16, 2021
    Where to begin? There's the waste of this cast on such a terrible screenplay, the poorly directed action scenes, the voice-over narration as lazy world building and the design elements that lack any imagination. I'd say it was laughably bad but that would imply that there was fun to be had in viewing this interminable bore.
    Alec B Super Reviewer
  • Aug 28, 2021
    Reminiscent of other moody sci-fi/noir mashups like Dark City and The Thirteenth Floor (oh the 1990s), I mostly wish that Reminiscence had been less devoted to film noir trappings and explored more of its intriguing sci-fi setting and implications. Set in a future where seas have covered much of Miami, Hugh Jackman plays a memory specialist who helps clients/nostalgia addicts find peace by reliving their past experiences through tech tanks. It's an interesting start and of course, as per noir rules, he'll stumble across a mysterious woman (Rebecca Ferguson) with a troubled past that he can't help but fall in love with even as it becomes clear she had ulterior motives for meeting our hero. There's an obvious and potent commentary at play about worshiping the past at the expense of the future and the consequences of our actions, played on a personal level and a larger ecological warning. The problem is that it takes far too long for me to care about the movie. As expected, the mysterious woman vanishes, and Jackman is determined to find her, but I didn't care about their relationship nor find this woman charming or anything other than a plot catalyst. We needed a more urgent sense of stakes to increase audience engagement. It wasn't like she framed Jackman who then had a certain amount of time to clear his name with bad people or the police. There's no real reason to root for Jackman to find this missing woman besides that he's sad. The Chinatown-meets-The Cell movie is written and directed by Lisa Joy (co-creator of HBO's Westworld), and there are interesting ideas to go along with its near-future world, and yet it all feels like a few drafts away from honing its real potential. I feel that the noir trappings strangle the storyline as far as what its ultimate imagination can be as it tries to fit into a familiar formula. Jumping into people's memories as an investigation seems far more exciting than pounding the flooded pavement for answers. Reminiscence is a bit more conceptional than what it can deliver. It's not terrible but it's not terribly interesting either. Why isn't there more with the police utilizing this technology to solve crimes or invade people's privacy? That seems like a better starting point for conflict than "mysterious woman comes into shop." There are some stunning visuals and points of excitement, like a fistfight that tumbles into a sunken concert hall. The ending is fitting and slightly poetic though heavily predictable given the preoccupation with repeating select conversations about the tragic nature of love stories. The problem with Reminiscence is it's too reminiscent of too many other genre influences without providing enough of a story or characters or mystery or world to stand apart. If you're a fan of Dark City, you might want to check out another stylish sci-fi/noir mashup, or you could just re-watch Dark City. Nate's Grade: C+
    Nate Z Super Reviewer

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