The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Perhaps it's a bit too knowing in places, and perhaps it packs in one pop cultural reference too many, but this is an in-your-face, look-at-me kind of debut, designed to function as the calling-card of a major new talent.
This movie is not for everybody. It's for hardly anybody. Fans of this kind of paperback-style bloodbath, however, will be held by the promise of a resolution as outlandish and as the rest of the picture.
A brash, brutal crime-caper film, Reservoir Dogs has enough raw energy for 10 motion pictures and more than enough rough stuff to traumatize the sensitive. But not only does Dogs have teeth, it has brains.
Exuberance over violence is mostly reined in. Coiled male panic and ricocheting accusations carry the action. At its best, at a time before Tarantino became all show, Reservoir Dogs reveals masculinity as a bloody, savage, two-faced performance.
Undoubtedly one of the best films of the 1990s, and probably one of the best directorial debuts of all time, Reservoir Dogs announced the arrival of one of contemporary cinema's hottest talents -- and he came out shooting.
It's unclear whether this macho thriller does anything to improve the state of the world or our understanding of it, but it certainly sets off enough rockets to hold and shake us for every one of its 99 minutes.