The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
"Restless" exudes the maturity that eludes Mr. Van Sant's previous fusions of youth and death. It's too bad he still hasn't learned to shower his female leads with the same adoring attention he lavishes on his male ones.
This movie pretends it's about death -- our couple meets because Enoch crashes funerals, a literary device that has no relevance here -- but it never scratches past the perfect pale void faces of its leads.
The couple's ability to see through how people perceive courageous behavior in the face of death forms the heart of the film. Van Sant illustrates that those trappings usually exist only to make the ones who are not sick feel better about themselves.
A tenderly stylistic evocation of young love wrapped inside a New Wave-esque bundle of wistfulness and nervous energy, and a well constructed little diorama. But one whose elicited feelings do not, alas, linger.
[S]cramble[s] to cram the 'quirky' back into the please-god-kill-me-and-save-me-from-yet-another-ridiculous-teen-romance... I'm really sick of stories in which women are sacrificed to men's personal journeys.
Hopper is the spitting image of his father Dennis when he was 20 and the versatile Wasikowska once again shows her talent for investing the most delicate of material with a sturdy emotional conviction.