The Man in the White Suit (1951)
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as Sidney Stratton
as Daphne Birnley
as Alan Birnley
as Michael Corland
as Sir John Kierlaw
as Sir John Kierlaw
as Miss Johnson
as Mrs. Watson
as The Lodger
as Nurse Gamage
as Night Watchman
as Mill Girl
as 1st Company Director
as 2nd Company Director
as Express Reporter
as Receptionist At Corland Mill
as Taxi Driver
Critic Reviews for The Man in the White Suit
That Stratton proves so unable to resist his hubris surely provides the film with a cautionary subtext, but this is beautifully complicated by an ending that denies the possibility of rehabilitation.
Clever and witty, this Oscar-nominated British comedy displays the talents of Alec Guinness long before he became an international star with Bridge on the River Kwai.
Alec Guinness' sharp bird nose and watery eyes helped him play characters who were misfits on the margins of society. He made for a kindly but stubborn rebel in the Ealing comedies.
A witty Ealing Studios satirical mad scientist comedy that concerns itself with modern day societal and technological problems.
While on the surface it's a comic fable with a sense of humor as dry as a cracker, the movie possesses a sharp edge that rises like a shark fin above the natty British drollery.
Clever Ealing comedy, though perhaps not as great as its legend.
Audience Reviews for The Man in the White Suit
"Man in the White Suit" is perhaps, along with "Kind Hearts and Coronets," the pinnacle of the Ealing film. It's a very sophisticated and subtle comedy/farce that takes a dig at a number of the cultural institutions that characterise northern England. It's not so much a satire directed at capitalism but an opprobrium of the suspicious relationship between capital and labour and the broader unworkable relationship of commercial achievement with scientific progress. The success of the film resides in the subtlety with which these issues are explored and the even-handedness by which they are dealt with. At a more basic level the film is an excellent example of a farce as the frustration, misinterpretation and exaggerated comedy are delivered with a breath-taking pace. Very well written, even better direction and uniformly spot-on performances make this one of the great British films of the 1950s.
I thought it was pretty dull to be honest. I thought it was meant to be just sci-fi, but it turned out it was a sci-fi comedy, which usually don't work. And it didn't. It wasn't funny, and it was just boring.
Another great Ealing Comedy, with the star of the studio, Alec Guiness always teriffic in the productions. Not as great as previoious ealing productions, such as Kind Hearts and Coronets, but still a must see, for British comedy and Ealing fans.
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