Riding Alone for Thousands of Miles (2006)
Critic Consensus: Doesn't reach the heights of Zhang Yimou's best, but this is still a heartwarming tale of love and forgiveness from the acclaimed Chinese director.
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Critic Reviews for Riding Alone for Thousands of Miles
The themes are universal (if a touch corny), the rugged Chinese scenery is stupendous, and the performances are touching.
What remains most vividly after Riding Alone For Thousands of Miles, however, is not its story but its world--the immersion in that world of a foreigner, not a polo-shirted Yank but a stiff-necked Japanese. And it is all overseen by a Chinese director.
It sounds like a slight plot, and it is, but it is rich in detail that makes up for the simplicity of the story.
It's a masterful little film, and, thanks to Zhang's seasoned hands, it's subtly heartfelt but never manipulative.
A father takes a spiritual journey from Japan to China to help mend a decades-long rift between himself and his dying son. The lessons learned en route are as profound as they are simple.
Relatively speaking, minor Yimou, yet it retains that extraordinary cinematic sensibility and superbly observed humanity that characterizes all his work.
Audience Reviews for Riding Alone for Thousands of Miles
Just to start off, let's call this the little Asian film that thinks it can. Certainly it does, and it almost succeeds (and does succeed on some levels), and it's awful pretty looking along the way, but it lacks a certain something. In this it reminds me of another recent Asian film: Spring, Summer, Fall, Winter...and Spring - both had a lot of potential and some good acting, and some potent (if almost overbearing, at times) imagery, but lacked the execution to get the film where it needed to be, it just sort of flounders somewhere in the middle. Granted, to be fair, I liked Riding Alone For Thousands of Miles a lot better - it had far more redeeming factors; for example, the wonderful performance of Ken Takakura really anchors the film and gives you a reason to keep on. As well, the film picks up significantly once the plot of Yang Yang and his father comes into play. If more time had spent on that it would have strengthened the main plot of Takata and his dying son. Anyway, this is a good film, it's definitely worth watching, but it definitely wasn't all that it could have been due to some sloppy storytelling.
I'm still trying to figure out, WHY. Why what you ask, why I continue to watch this bloody movie, I mean theres no blood in the movie, just an expression, Guy wandering around trying to do good for his dying son, but tends to piss people off
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