The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Distinguishes itself from other ill-conceived reboots in general, and from Tim Burton's disastrous 2001 remake in particular, by looking with fresh, simian eyes at its core conflict between human and primates.
If this film is remembered, it won't be for its storyline, which reverts to cliché a bit too often as it approaches its climax, but for its eye-popping integration of live-action and movie magic. Just as the geniuses...
A creature feature of disappointing stupidity, Rise of the Planet of the Apes replaces the sociopolitical underpinnings of the original film and its sequels with a limp warning about the evils of animal testing.
It's faint praise to say that this is the best of the "Planet of the Apes" movies, because the evolution of special effects and makeup was predictable. But the unexpected strength of the film is its heart.
They probably should have called it "Beneath the Dignity of the Planet of the Apes," but "Rise of the Planet of the Apes" is tolerable if you'll just keep in mind that the original feature was an overachieving B-movie.
The first half (presumably where most of the narrative scenes were excised) is frustratingly arrhythmic; more satisfying is the ape revolution of the final half-hour, a scary and deftly handled passage.
In the oeuvre of Planet of the Apes pics - four sequels to the original, and the 2001 Tim Burton-directed remake - Rise is certainly not the most interesting, nor the most inventive. But it's not risible, either.
Caesar's prison conversion to charismatic pan-ape revolutionist is near-silent filmmaking, with simple and precise images illustrating Caesar's General-like divining of personalities and his organization of a group from chaos to order.