Rocco and His Brothers (Rocco e i suoi fratelli) - Movie Reviews - Rotten Tomatoes

Rocco and His Brothers (Rocco e i suoi fratelli) Reviews

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Top Critic
Michael Atkinson
Village Voice
July 2, 2002
Neither neo-realist nor particularly artsy, Rocco might make for a fat, satisfying beach-read of a movie if only it weren't so convinced of its own magnitude.
Top Critic
Pauline Kael
New Yorker
October 8, 2015
Visconti's methods are still partly neorealist, but the scale of the film is huge and operatic, and it loses the intimacy of the best neorealist films, and their breath of life.
Clayton Dillard
Slant Magazine
October 4, 2015
It's vital about violence being bred from systemic blind spots, where miniscule souls are tasked with the impossible.
Full Review | Original Score: 4/4
Top Critic
Alan Scherstuhl
Village Voice
October 6, 2015
The Parondis' lives are difficult but gorgeous; boxing is terrible but riveting; the city offers everything even as it takes everything away.
Top Critic
David Ehrlich
Time Out
October 7, 2015
Today, distanced from ridiculous controversy and dislocated from the provincial politics that drive its story, this immaculately restored classic of post-WWII Italian cinema often feels like a new experience altogether.
Full Review | Original Score: 5/5
Philip Martin
Arkansas Democrat-Gazette
July 30, 2002
| Original Score: 3/5
Cole Smithey
February 21, 2008
| Original Score: 4/5
Jeffrey M. Anderson
Combustible Celluloid
January 27, 2003
Visconti's greatest achievement is how he mixes realism and melodrama.
Full Review | Original Score: 4/4
Jeremy Heilman
July 14, 2002
A stirring and expansive family epic.
Full Review | Original Score: 4/4
Arthur Lazere
January 15, 2003
Even with [Rocco's] undeniable excess, the climactic moments transcend style and are profoundly moving.
Pablo Villaça
Cinema em Cena
October 13, 2003
Apesar de ser mais longo do que deveria e de se entregar ao melodrama ocasional, o filme praticamente se transforma em um épico familiar e conta com performances enérgicas e inesquecíveis (especialmente de Salvatori e Girardot).
| Original Score: 4/5
Dennis Schwartz
Ozus' World Movie Reviews
August 10, 2008
Powerful neorealist melodrama.
Full Review | Original Score: B
Top Critic
Desson Thomson
Washington Post
January 1, 2000
A richly textured drama, resoundingly alive with characters.
Angelina Sciolla
Film Threat
December 8, 2002
I recommend a three and a half hour pit stop in 1950s Milan.
Full Review | Original Score: 4/5
Carol Cling
Las Vegas Review-Journal
November 14, 2003
| Original Score: 4/5
Thomas Delapa
Boulder Weekly
March 18, 2005
| Original Score: 4/5
Ken Hanke
Mountain Xpress (Asheville, NC)
March 19, 2012
What you end up with is more an entertaining, overheated mish-mash than a great classic.
Full Review | Original Score: 4/5
Top Critic
Hal Hinson
Washington Post
January 1, 2000
Turgid, overwrought, yet still profoundly affecting.
Jason Anderson
August 20, 2002
Beneath the neorealist façade simmers an intensity that is far more lurid and operatic in nature.
Full Review | Original Score: 4/5
Nick Barbaro
Austin Chronicle
March 10, 2003
Visconti returns to Milan, the city of his birth, in this story about the politics of class involved in the move to the big city of a family of impoverished southerners.
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