The Romantic Englishwoman,(Une anglaise romantique) (1975)





Critic Consensus: No consensus yet.

Movie Info

What is real and what is fiction? Faced with writer's block with his novel, Lewis Fielding turns to a film script about a woman finding herself after his wife Elizabeth returns from Baden Baden. She didn't quite find herself there but had a brief encounter in a lift with a German who says he is a poet. Now the German is in England, gets himself invited to tea where he claims he admires Fielding's books. Which one does he like the best? "Tom Jones." Amused at being confused with the other Fielding, the novelist works the German into the plot.
Classics , Comedy , Drama , Romance
Directed By:
In Theaters:

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Glenda Jackson
as Elizabeth Fielding
Helmut Berger
as Thomas
Béatrice Romand
as Catherine
Natalie Delon
as Miranda
Kate Nelligan
as Isabel
Julie Peasgood
as New Nanny
Tom Chatto
as Neighbor
Frances Tomelty
as Airport Shop Assistant
Lillias Walker
as 1st Meal-ticket Lady
Doris Nolan
as 2nd Meal-ticket Lady
Phil Brown
as Mr. Wilson
Norman Scace
as Headwaiter
Bill Wallis
as Hendrik
Show More Cast

Critic Reviews for The Romantic Englishwoman,(Une anglaise romantique)

All Critics (1)

Disappointing but easy to watch sly comedy that skewers real-life love and pulp fiction romance as both products of fiction.

Full Review… | February 27, 2012
Ozus' World Movie Reviews

Audience Reviews for The Romantic Englishwoman,(Une anglaise romantique)


In "The Romantic Englishwoman," Elizabeth(Glenda Jackson) is vacationing in Baden-Baden. While there, she has an innocent encounter with Thomas(Helmut Berger) who is there on business. Which her husband Lewis(Michael Caine), a novelist, imagines to be not-so-innocent, especially after she flies back against his explicit instructions. His worries are intensified when Thomas seeking a place to hide out after a business deal goes south travels to their house under cover of being a poet who is a fan of Lewis' novels. "The Romantic Englishwoman" is a prime example of when very dull things happen to great actors. So much so, that they can do little with the material at hand. Admittedly, telling Thomas' story with as little as dialogue as possible is a neat touch.(And you have to admit it. Thomas does have style.) But even with such potential, the movie, not able to decide between romance, comedy, psychological drama, meta weirdness or thriller, just decides to sit there for long stretches. Maybe it would have helped if the story had started off with Lewis' first conversation with Herman(Rene Kolldehoff) as a way of introducing everybody. Maybe not.

Walter M.
Walter M.

Super Reviewer


This is an odd film. Glenda Jackson is superb as one would expect. And, the camera work and set design are of note. Perhaps it is Tom Stoppard's contribution as writer that keeps Joseph Losey a bit more restrained than usual. Interestingly, it is quite clear that this film is from the mid-1970's. The story is most certainly a reflection of the sexual revolution of the era. And yet, there is a strange almost old-fashioned feeling that is given. I found nothing "romantic" about this film. The title appears to be one of sarcasm taken from a rather blunt and rude statement made by Berger's character. Though this film may not truly fit in as a cinematic classic there is most certainly a memorable play of events and work by the artists involved.

Matty Stanfield
Matty Stanfield

I just can't resist the creepiness of a Helmut Berger role guided by Joseph Losey to a place where fantasy and reality collide.

Stefanie C
Stefanie C

Super Reviewer

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