Russian Dolls (Les Poupées Russes) (2006) - Rotten Tomatoes

Russian Dolls (Les Poupées Russes) (2006)



Critic Consensus: Like its predecessor L'Auberge Espagnole, Russian Dolls is charmingly breezy and light.

Russian Dolls (Les Poupées Russes) Trailers & Photos

Movie Info

Xavier and Wendy have to gather all their friends from Barcelona for the wedding of Wendy's brother to a beautiful Russian. Xavier is still looking for the perfect woman.more
Rating: Unrated
Genre: Romance, Art House & International, Comedy
Directed By:
Written By: Cédric Klapisch
In Theaters:
On DVD: Sep 26, 2006
Cinema Libre Studio - Official Site


Romain Duris
as Xavier Rousseau
Kevin Bishop
as William
Federico D'Anna
as Alessandro
Martine Demaret
as Xavier's Mother
Pierre Gerald
as Xavier's Grandfather
Gary Love
as Edward
Ophie Barbe
as Caroline
Julie Durand
as Juliette
Sophie Barbe
as Caroline
Nicholas Day
as Wendy's Father
Amanda Boxer
as Wendy's Mother
Pierre Cohen Victor
as Xavier's Grandfather
Zinedine Soualem
as Mr. Boubaker
Carole Franck
as TV Producer
Hélène Médigue
as Madame Vanpeteguem
Robert Plagnol
as TV Writer
Nicolas Briançon
as TV Director
Julien Guéris
as Actor Playing Jean E...
Laura Weissbecker
as Actress Playing Odil...
Bernard Haller
as Michel Hermann
Show More Cast

News & Interviews for Russian Dolls (Les Poupées Russes)

Critic Reviews for Russian Dolls (Les Poupées Russes)

All Critics (52) | Top Critics (23)

The cast of renegades is as appealing as ever.

Full Review… | September 1, 2006
Miami Herald
Top Critic

For those who saw and loved L'Auberge Espagnole, Russian Dolls automatically becomes of interest, but writer-director Cedric Klapisch can't quite make the case for it as a stand-alone experience.

Full Review… | July 21, 2006
San Francisco Chronicle
Top Critic

Klapisch has made something deliciously close to a nature documentary about the young, the foolish, and the alive.

Full Review… | July 21, 2006
Boston Globe
Top Critic

It's an effortlessly charming ensemble, and Klapisch's characters (most of them anyway) reveal depths of feeling that compensate for the film's lightweight tone and too-long running time.

Full Review… | July 7, 2006
Seattle Times
Top Critic

[Xavier] turns this film into more of a self-fixated memoir, less of a blithe ensemble piece.

Full Review… | June 29, 2006
Chicago Tribune
Top Critic

Fluffily enjoyable.

Full Review… | June 15, 2006
Washington Post
Top Critic

Audience Reviews for Russian Dolls (Les Poupées Russes)


Rather enjoyable--more of the same from the characters of Auberge Espagnole--but the pandering attempts to involve all the previous characters in the story made the ending weak and the movie over-long. On top of that, the premise is kind of stupid: why are all these people reuniting for the wedding of the younger brother of their friend (a marginal character in the first film)? The first 90 minutes or so, I forgave a lot, and liked a lot, but in the end the film's a bit of a misfire that leaves a bad taste in your mouth, making you forget about its earlier promise.

Daniel Perry

Super Reviewer

Despite its good moments, this is an unnecessary, forgettable sequel that relies too much on Xavier's disastrous search for love instead of focusing on the reunion of the friends of L'Auberge Espagnole. Good to see, though, that it doesn't get ruined by its poor narrative choices.

Carlos Magalhães

Super Reviewer

"L'auberge espagnole", although not flawless and very low-key, is probably one of the best films about nostalgia ever made. In "Les poupées russes", the main character of both films, Xavier (Duris), has coped well with his post-Erasmus nostalgia. However, what seemed, at the end of "L'auberge", to be both a cure and a new beginning has turned out to be much less of the latter. Xavier is nearly thirty and his life still badly needs focus.

The film follows Xavier from Paris to London to Moscow to Saint-Petersburg, examining relationships with his ex-Erasmus friends (many of whom look like they got a hold on life better than himself), his ex-girlfriend Martine (Tautou) and various new lovers. The sceneries are exciting and the characters are crafted perhaps with even more care and sincerity than in "L'auberge" (the Duris-Tautou "still friends" duo is a delight) - but the romantic allure of "L'auberge" served well to smoothen the rough edges and dilute the film's hard-boiled message - writer-director Cédric Klapisch is definitely a man of ideas more than anything else. "Les poupées" is no less cerebral, but with the grown-up life being what it is, there's much less in the film to get carried away with - meaning that at times it becomes more of a philosophical drama than a romantic comedy. And for that purpose, perhaps the philosophical message that the film tries to convey - that letting go of dreams is a sad, but necessary part of growing up - is simply not strong enough.

Cassandra Maples

Super Reviewer

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