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A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass.
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All Critics (32) | Top Critics (6) | Fresh (30) | Rotten (2)
Saint Maud, like Ari Aster's Midsommar, is a law unto itself. October 7, 2019 | Rating: 5/5 | Full Review…
Saint Maud, like Ari Aster's Midsommar, is a law unto itself.
Charlotte O'Sullivan
As Maud's mental state spirals out of control, the film becomes both more surreal and more poetic, culminating in a shocking finale that sent a shiver through the Fantastic Fest audience. October 7, 2019 | Rating: B+ | Full Review…
As Maud's mental state spirals out of control, the film becomes both more surreal and more poetic, culminating in a shocking finale that sent a shiver through the Fantastic Fest audience.
Katie Rife
Rose Glass' taut and trembling Saint Maud transmutes a young woman's spiritual crisis into such a refined story of body horror that genre fans might feel like they're having a religious experience. September 12, 2019 | Rating: B+ | Full Review…
Rose Glass' taut and trembling Saint Maud transmutes a young woman's spiritual crisis into such a refined story of body horror that genre fans might feel like they're having a religious experience.
David Ehrlich
That's the basic outline of Rose Glass's feature directorial debut, a thriller that has one thing on its mind - the road to fanaticism leads directly to Hell - but doesn't quite provoke as much as it thinks it does. September 12, 2019 | Rating: 2/4 | Full Review…
That's the basic outline of Rose Glass's feature directorial debut, a thriller that has one thing on its mind - the road to fanaticism leads directly to Hell - but doesn't quite provoke as much as it thinks it does.
Barry Hertz
Saint Maud seeds the clouds with an eclectic mix of influences, but it works, creating a film with its own strange weather. September 10, 2019 | Full Review…
Saint Maud seeds the clouds with an eclectic mix of influences, but it works, creating a film with its own strange weather.
Leslie Felperin
Maud is like Carrie White and her mother Margaret rolled into one unholy holy terror; as played with brilliant, blood-freezing intensity by Morfydd Clark, she's a genre anti-heroine to cherish, protect and recoil from, sometimes all at once. September 9, 2019 | Full Review…
Maud is like Carrie White and her mother Margaret rolled into one unholy holy terror; as played with brilliant, blood-freezing intensity by Morfydd Clark, she's a genre anti-heroine to cherish, protect and recoil from, sometimes all at once.
Guy Lodge
Saint Maud is a masterpiece of the psychological. September 24, 2020 | Rating: 5/5 | Full Review…
Saint Maud is a masterpiece of the psychological.
Ben Rolph
It all amounts to a film that will stay with you; whether you want it to or not. September 16, 2020 | Rating: 4/5 | Full Review…
It all amounts to a film that will stay with you; whether you want it to or not.
Emma Simmonds
This is a very finely-wrought, often subtle film which trusts the audience to fill in the gaps. It also trusts in our empathy, even when our central character grows increasingly destructive. July 12, 2020 | Rating: 5/5 | Full Review…
This is a very finely-wrought, often subtle film which trusts the audience to fill in the gaps. It also trusts in our empathy, even when our central character grows increasingly destructive.
Keri O'Shea
Religious fervor as an allegory for one's descent into madness is nothing new-but writer/director Rose Glass pulls everything off with such panache that St. Maud feels fresh and chilling. June 29, 2020 | Full Review…
Religious fervor as an allegory for one's descent into madness is nothing new-but writer/director Rose Glass pulls everything off with such panache that St. Maud feels fresh and chilling.
Staci Layne Wilson
Saint Maud is aesthetically brooding, torturously devoted to exploring mankind's most selfish martyrdoms, and, yes, accomplishes that oh-so-blasphemous sainthood bastardization we all love. March 25, 2020 | Rating: 3/5 | Full Review…
Saint Maud is aesthetically brooding, torturously devoted to exploring mankind's most selfish martyrdoms, and, yes, accomplishes that oh-so-blasphemous sainthood bastardization we all love.
Matt Donato
Boundary pushing and barnstormingly performed, together, Glass, Clark and Ehle represent a holy trinity of talent, setting the screen ablaze with an intensity that rarely lets up. March 10, 2020 | Rating: 4/5 | Full Review…
Boundary pushing and barnstormingly performed, together, Glass, Clark and Ehle represent a holy trinity of talent, setting the screen ablaze with an intensity that rarely lets up.
Katherine McLaughlin
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