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as Milton Katsolas
as Detective Pia
as Billy Bolasco
as Detective Tankersely
as Sal Mineo
as Keir Dullea
as Michael Mason
as Nurse #3
as Ray Evans
as Nurse #2
as Store Clerk
as Steven Gustaggson
as Monica Morrem
as Marsha DiSessa
News & Interviews for Sal
Critic Reviews for Sal
All we do is wait through uneventful hours with the protagonist until their foreordained death comes as a kind of finale and release.
Despite its modest proportions and chilling finale, Sal is foremost an affectionate tribute, conjuring ample warmth out of relatively little.
As always, Franco demonstrates a talent for and interest in composition, performance, and the naked human moment.
[S]cene after scene plays out as if Franco has watched one too many Gus Van Sant movies and figured that's how you make an Important Movie.
James Franco's lovingly crafted, if minimalistic, cinematic ode to Sal Mineo - the actor most famous for his Oscar-nominated role opposite James Dean in "Rebel Without a Cause" - succeeds due in large part to Val Lauren's thoughtful portrayal.
Audience Reviews for Sal
For better or worse, James Franco has done exactly what he promised with "Sal", a look at the actors last day before being murdered outside of his West Hollywood apartment building. The downside to this is that we get long scenes that portray the mundane and uninvolving moments of the day. But, some of those moments come across as more real because of this. Good performances help, as does some authentic sounding dialog. This could have turned out terrible, but it could have been a lot better as well.
I actually know quite little of twice Oscar nominated actor Sal Mineo -- other than his acting -- who starred in such films as Rebel Without a Cause, Exodus, Giant and The Longest Day. I was hoping that a film titled Sal might provide some additional information on the one-time star who arrived on the Hollywood scene with many lauded performances and much fanfare but whose star quickly descended as he became typecast and his open homosexuality prevented him from getting many leading man roles in the mid-to-late 1960s. James Franco directs this small film about the late actor and while it is apparent Franco wanted the film to be a tribute to Mineo there is little here one would be overly pleased with. Franco uses too many close-ups, he is obsessed with the male body -- the film opens with an overly long sequence of Sal (Val Lauren - Interior Leather Bar) working out shirtless and sweaty -- and there is simply no real story here at all. Sal is simply a filmed composite of the actor's final day of life ... he wakes up, works out, meets up with someone for lunch to discuss business, rehearses a new play etc. An audience never gets to discover who Sal is or dive into his personality or being. We see him move around and hear him talk (in close-up). There are a few -- like three too many -- scenes of Sal driving a car listening to the radio ... most likely because Franco and the film's screenwriter had no idea what to make Sal say. The film is most disappointing and after seeing this -- Franco's second directed film -- I hope he gives up his dreams of directing as he is much better (at times) in front of the camera. A film with Mineo's name should show us what made him special but this one doesn't. It is boringly bad ... and Plato deserved much, much, much better.
The (intentionally?) very consistent & lingering rawness as seen in every other Franco's production.
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