The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The sap doesn't run too thick, although it does run, and the movie certainly has a patented Disney upbeat feel much of the time. It's more a spoonful of sugar than medicine for aging baby boomer's souls.
Beneath Banks' crass self-aggrandizement lies a pretty charming portrait of two overly proud people butting creative heads. Yes, charming. That's what Disney does, and it does it well enough to turn even this condescending pap into something palatable.
Like the Mary Poppins film Disney would eventually serve up, Saving Mr. Banks is an affable, enjoyable spoonful of sugar that sweetens into palatability the sinus-clearing bite of the books - and the implacable iron lady who wrote them.
There's something a little incestuous about a studio making a movie about one of its greatest box office triumphs. But Disney's backstage drama about how its whimsical 1964 kids' classic Mary Poppins came to be is a delight.
The irony of Saving Mr. Banks is that it takes this true story of Hollywood conflict, of artistic integrity pitted against studio moxie, and gives it the same warm-and-fuzzy treatment the company gave Poppins.