Secrecy (2008)

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The "classification universe" is invisible to most of us, yet the production of governmental classified secret documents involves millions of people. And government secrecy is growing, vastly outpacing the circulation of open information. The statistics, as much as can be gathered, are staggering. In a single recent year, the United States government classified about five times the number of pages added to the Library of Congress; the cost is about eight billion dollars a year--just to keep secrets secret.Now, 70 years after the builders of the bomb created a national information security system and just a few years after 9/11, a government secrecy crisis is looming. The combination of a declared war on terrorism and the curtailment of civil liberties sets the stage to ask some critical questions. When does security erode, rather than enhance, democracy? Can burying too much information actually undermine national security?Secrecy, the stylistically elegant and provocative new film by Robb Moss and Peter Galison, explores the hidden world of national security policy by examining the many implications of secrecy, both for government and individuals. Combining animation, installations, a mesmerizing score, and riveting interviews, the film takes us inside the inverted world of government secrecy as we share the experiences of lawyers, CIA analysts, and the ordinary people for whom secrecy becomes a matter of life and death.--© Sundance Film Festival
Rating:
NR
Genre:
Documentary , Drama , Special Interest
Directed By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:

Critic Reviews for Secrecy

All Critics (16) | Top Critics (10)

No excerpt available.

November 17, 2011
Time Out
Top Critic

No excerpt available.

Full Review… | November 16, 2011
Time Out
Top Critic

A documentary that illuminates, entertains and inspires -- a timely triple feat given the stakes in the presidential election.

Full Review… | October 24, 2008
San Francisco Chronicle
Top Critic

Smart and unexpected, SecrecyM combines thoughtful interviews with an elegant visual look to produce an incisive examination of some of the key issues of our time.

Full Review… | October 17, 2008
Los Angeles Times
Top Critic

A stimulating, somewhat ambiguous new documentary about the changes in intelligence gathering since Sept. 11, 2001.

October 10, 2008
Seattle Times
Top Critic

This one is not about secrecy per se, but about the strangely compelling people who fight for or against it.

Full Review… | September 19, 2008
Boston Globe
Top Critic

Audience Reviews for Secrecy

This documentary that's essentially about government abusing secrecy to cover their own ass is a bit too supportive of the same government. That's pretty strange. CHECK IT OUT.

Anatoly Shashkin
Anatoly Shashkin
½

A very scary and almost disgusting look at what are goverment handles behind closed doors without our knowledge.

kristine wegner
kristine wegner

Unlike most recent political docs, which almost always have a set predisposition toward certain ideas that it will try and persuade you to adopt over the course of an hour and a half, [i]Secrecy[/i] is structured like an intellectual debate. To watch it is to feel as if you're viewing an exceedingly important conversation about a very complex topic, in this case, government secrecy and covert operations in the post-9/11 age. It is not a cospiracy theory doc, nor is it a history lesson, but rather a mature and balanced inquiry into how far is too far for the government to utilize its executive authority, and how much does the public have a right to know in these tumultuous times. Clearly, the film has few answers, and that's a refreshing dose of curious objectivity. Much of the style of the film is directly influenced from Errol Morris, from the hypnotic, oscillating score to the stylistically edited interviews, but the film does an admittedly great job at emulating Morris' distinct cinematic voice, so even though it is a rip off, it's certainly not boring to watch. This is a probing and thought-provoking piece that contributes to an increasingly robust list of docs this year about high-level protocol in the war on terror, the other two being the incendiary Morris film [i]Standard Operating Procedure [/i]and the fantastic Alex Gibney doc [i]Taxi to the Dark Side[/i]. [center][img]http://fest08.sffs.org/i/stills/main/films/secrecy.jpg[/img][/center]

Matthew Farler
Matthew Farler

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