The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Secretariat earns its best accolades for asking even larger questions as it highlights the story not just of a terrific horse but of his greatest champion, owner Penny Chenery, portrayed with grace, edge and a growing sense of self by Diane Lane.
A finely constructed feel-good movie, gorgeous to look at, suspenseful when it's supposed to be and firmly in control of the sports movie archetypes and tropes that it wields like an experienced jockey using a riding crop.
The achievement of both the movie and what Lane does with the part is that it's all bait to write her off as a sufferer, a role that Lane, due to bad movies and the bad men in them, knows too well. Not this time.
The racing sequences are effectively done and Secretariat's quest for horse racing's Triple Crown concludes with one of those stand-up-and-cheer moments, but the story as a whole seems stale and overly familiar.
This conventional but rousingly effective picture pulls through its occasional faltering stretches by focusing on the essentials of its incredible real-life saga, even if the details have been massaged for maximum uplift.