Senseless Reviews

  • May 10, 2013

    Senseless (Simon Hynd, 2008) While in the strictest sense (no pun intended), Senseless is a film that perfectly fits the definition of "torture porn", what TV director Simon Hynd in his only feature to date has crafted here is something much more interesting indeed. This is not surprising, given that it's based on a novel by Printer's Devil author Stona Fitch (which I have not yet read, but I've kicked it way up the priority queue after having seen this film). I'm not entirely sure it works as well as it should have, thanks to a few questionable decisions in, of all things, the sound design. It frustrates me terribly that I can't describe where all that goes wrong (I can't because explaining the sound design in the scenes where it becomes relevant would require revealing a great deal of the plot as background, and all this happens in the last half-hour of the film; if it helps any, without being spoily, Hynd, who also adapted the novel, almost certainly based the sound design in those parts of the film from the climax of the wonderful, underrated Sylvester Stallone film Cop Land-but unfortunately he pulled his punches at the last minute). That said, it doesn't make most of the film any less worth watching, and if you have friends who decry the whole torture-porn gig without having ever seen a film of that stripe (or having only seen one of the awful bandwagon-jumping flicks like Train that should never have been made in the first place), then sit them down and show them this. Plot: Elliott Gast (The Shipping News' Jason Behr, in his last big-screen appearance to date as I write this) is an Americanbanker who's been called away at the last minute to a meeting in Europe (I seem to recall someone mentioning Belgium in passing, but I could be wrong). While there, he is kidnapped by an extremist group (who don't consider themselves extremists--"extremists have bombs, Mr. Gast. We do not have a bomb. We have you."), held in what would seem to be a small, completely white apartment, and tortured live on the Internet as a way to raise funds for the group. As the days of his captivity stretch into weeks and he gets to know, in some ways, those who are holding him captive, he finds that the bonds between those in the extremist group are somewhat strained; in particular, his nurse, Nim (The Reeds' Emma Catherwood), approves of the ends, but is less enthusiastic about the means than the nameless torturer (Elizabeth: The Golden Age's Joe Ferrara) who is the "face" of the extremist group (though always behind a mask), both to Elliott and to the cameras that broadcast the live feed to the world. There is a lot of discussion on this movie at IMDB. Which in some ways goes to show that the movie is doing its job; if you're making a social-consciousness kind of movie and not inspiring debate, what's the use?-but on the other hand, a lot of it is of the "I don't get the final 15 minutes" and "why is character X pretending to do event Y?" (when character X is not pretending, and folks just didn't get it). I usually put a lot of that down to people not just paying enough attention, and I will do the same thing here; if you're focused enough on the movie, you'll understand the climax without needing to be guided through (and all the characters' motivations in same). As I said in the opening, I do think Hynd blew the climax in a couple of ways, and the movie would have definitely been more effective had he stuck to his guns as regards the sound design, but what we got is pretty darned good for what it is. It certainly could have been leagues worse, as shown by so many other films of this stripe. ** 1/2

    Senseless (Simon Hynd, 2008) While in the strictest sense (no pun intended), Senseless is a film that perfectly fits the definition of "torture porn", what TV director Simon Hynd in his only feature to date has crafted here is something much more interesting indeed. This is not surprising, given that it's based on a novel by Printer's Devil author Stona Fitch (which I have not yet read, but I've kicked it way up the priority queue after having seen this film). I'm not entirely sure it works as well as it should have, thanks to a few questionable decisions in, of all things, the sound design. It frustrates me terribly that I can't describe where all that goes wrong (I can't because explaining the sound design in the scenes where it becomes relevant would require revealing a great deal of the plot as background, and all this happens in the last half-hour of the film; if it helps any, without being spoily, Hynd, who also adapted the novel, almost certainly based the sound design in those parts of the film from the climax of the wonderful, underrated Sylvester Stallone film Cop Land-but unfortunately he pulled his punches at the last minute). That said, it doesn't make most of the film any less worth watching, and if you have friends who decry the whole torture-porn gig without having ever seen a film of that stripe (or having only seen one of the awful bandwagon-jumping flicks like Train that should never have been made in the first place), then sit them down and show them this. Plot: Elliott Gast (The Shipping News' Jason Behr, in his last big-screen appearance to date as I write this) is an Americanbanker who's been called away at the last minute to a meeting in Europe (I seem to recall someone mentioning Belgium in passing, but I could be wrong). While there, he is kidnapped by an extremist group (who don't consider themselves extremists--"extremists have bombs, Mr. Gast. We do not have a bomb. We have you."), held in what would seem to be a small, completely white apartment, and tortured live on the Internet as a way to raise funds for the group. As the days of his captivity stretch into weeks and he gets to know, in some ways, those who are holding him captive, he finds that the bonds between those in the extremist group are somewhat strained; in particular, his nurse, Nim (The Reeds' Emma Catherwood), approves of the ends, but is less enthusiastic about the means than the nameless torturer (Elizabeth: The Golden Age's Joe Ferrara) who is the "face" of the extremist group (though always behind a mask), both to Elliott and to the cameras that broadcast the live feed to the world. There is a lot of discussion on this movie at IMDB. Which in some ways goes to show that the movie is doing its job; if you're making a social-consciousness kind of movie and not inspiring debate, what's the use?-but on the other hand, a lot of it is of the "I don't get the final 15 minutes" and "why is character X pretending to do event Y?" (when character X is not pretending, and folks just didn't get it). I usually put a lot of that down to people not just paying enough attention, and I will do the same thing here; if you're focused enough on the movie, you'll understand the climax without needing to be guided through (and all the characters' motivations in same). As I said in the opening, I do think Hynd blew the climax in a couple of ways, and the movie would have definitely been more effective had he stuck to his guns as regards the sound design, but what we got is pretty darned good for what it is. It certainly could have been leagues worse, as shown by so many other films of this stripe. ** 1/2

  • Oct 27, 2012

    We are so cruel and I question our humanity.

    We are so cruel and I question our humanity.

  • Sep 08, 2012

    Pretty well thought out for this type of film. The violence is explicit, but not over-the-top. Very intriguing concept as well. I was pleasantly surprised.

    Pretty well thought out for this type of film. The violence is explicit, but not over-the-top. Very intriguing concept as well. I was pleasantly surprised.

  • Aug 28, 2012

    Very good, the 1st movie that could bring so strong emotions. I really felt sorry for that poor guy .Although I vomitted twice ;)

    Very good, the 1st movie that could bring so strong emotions. I really felt sorry for that poor guy .Although I vomitted twice ;)

  • Aug 15, 2012

    This movie is from a very sadistic mind, watch if you dare but be warned this is a mind blowing experience! This movie makes the saw series look like a joke and is a great soicial commentary on greed and extremism!

    This movie is from a very sadistic mind, watch if you dare but be warned this is a mind blowing experience! This movie makes the saw series look like a joke and is a great soicial commentary on greed and extremism!

  • Jul 23, 2012

    - very intense! it's very believable, some people are that crazy!

    - very intense! it's very believable, some people are that crazy!

  • Jun 04, 2012

    If you like gut wrenching torture, you're in for a real treat!

    If you like gut wrenching torture, you're in for a real treat!

  • Jan 15, 2012

    smart torture porn? didn't think it was possible.

    smart torture porn? didn't think it was possible.

  • Aug 30, 2011

    While Senseless may borror from other thrillers such as Hostel and Oldboy, it somewhat establishes its own personality by maintaing a balance between the moments that make you cringe and the moments that keep you at the egde of you seat.

    While Senseless may borror from other thrillers such as Hostel and Oldboy, it somewhat establishes its own personality by maintaing a balance between the moments that make you cringe and the moments that keep you at the egde of you seat.

  • Jul 15, 2011

    This movie rocked my world... although i can see why people hate it, it looked like a film with torture similar to hostel or saw, but instead it shows the mind through torture especially through the circumstances. Elliot Gahst is an american business man who is captured by french fundamentalists who then torture him to send a message to americans about how they should change their ways. the brilliant way the director only lets us know what Elliot does makes us so much more attatched to the character. however some people see a box cover with an eye on a spoon and expect a gore fest, i was very much amazed with how much this film made me feel like i was elliot gahst even though i have never been in a situation close to his, (SPOILER ALERT) and by the scene where he was defeaned, i actually felt the anticipation and fear of having sharp objects about to deafen me, and a film can be good if it makes you feel things that a character is.

    This movie rocked my world... although i can see why people hate it, it looked like a film with torture similar to hostel or saw, but instead it shows the mind through torture especially through the circumstances. Elliot Gahst is an american business man who is captured by french fundamentalists who then torture him to send a message to americans about how they should change their ways. the brilliant way the director only lets us know what Elliot does makes us so much more attatched to the character. however some people see a box cover with an eye on a spoon and expect a gore fest, i was very much amazed with how much this film made me feel like i was elliot gahst even though i have never been in a situation close to his, (SPOILER ALERT) and by the scene where he was defeaned, i actually felt the anticipation and fear of having sharp objects about to deafen me, and a film can be good if it makes you feel things that a character is.