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Grim and morose, Seven Pounds is also undone by an illogical plot.
Grim and morose, Seven Pounds is also undone by an illogical plot.
All Critics (190)
| Top Critics (44)
| Fresh (49)
| Rotten (141)
| DVD (6)
It's not what you'd call any good, but Claude Lelouch fans, say, might relish its grandiose romantic gestures in the face of all known logic.
A supremely annoying film.
The film's most abiding mystery lies in the question of why it ever got made.
I think it's just kind of average but Rosario Dawson is great and worthy of some type of recognition throughout this award show season.
That big twist at the end... if you go back and analyze it -- I'm not sure it holds up, but I don't think it really matters all that much.
As high concepts go, Seven Pounds is distasteful in the extreme.
The reason for the protagonist's actions is so ludicrous that the film's distributors asked critics not to reveal 'the twist'. Unsurprisingly, it's not worth knowing.
... the ending just raised another question: what the hell was that?
I've rarely seen a film so sure of its own seriousness and profundity.
I've never seen such a bad film so well made.
An overwrought, improbable drama that's as frustrating as it is morbid.
Proof that no black actor, regardless of acclaim or popularity, can ever truly transcend the Mythical Black Man motif. Milquetoast dweebishness robs Will Smith of his natural forcefulness, and "Seven Pounds" has easily the worst ending of the last decade.
the film was extremely jumbled and the love story was contrived, but everything else about this film was above average. smith puts in a characteristically solid performance, and the film was powerful despite being extremely predictable from the outset. i would have liked a bit more of the side stories, but i do see the point in drawing emotion from the story between dawson and smith's characters so the desire to see the other stories fleshed out is lessened. overall, good film.
Is "Seven Pounds" as bad as all the critics said? Almost. The critics savaged this film when it came out, going a bit overboard, as they are wont to do. Perhaps in their puny subconscious minds Will Smith was due for some backlash, just as Halle Berry was when "Catwoman" came out.
"Seven Pounds" is not so much bad as under-developed. There is interesting subject matter, but first-time screenwriter Grant Nieporte appears not to have had any idea how to explore the ideas and develop a real story. What he did was basically just provide the outline for a story. The script has all the depth of something Kim Kardashian would write if she took a Creative Writing course.
Without giving away the details and surprises, I'll simply say that a man responsible for a horrific tragedy (the character played by Smith) attempts a form of redemption by making extraordinary sacrifices for others. I won't give away what he does for them, but it's not what you think.
This would be quite interesting to explore. How many stages of grief did the man go through? What difficulties has he had in figuring out a way to live again? How were his relationships impacted?
What sorts of attempts did he make at healing? Which ones were more successful than others and why? And what counts as "success" in grieving anyway?
How did he come up with the idea for the sacrifices he makes? What sorts of mixed feelings did he have about the sacrifices? What kind of complex emotions did the recipients of his generosity feel? There's the obvious gratitude. But surely a serious screenwriter would be more interested in the darker complexities of such situations.
Nieporte had no interest in any of this. All he wanted to show was simple grief, simple generosity, and simple gratitude. He clearly is not an artist. At heart he's probably a greeting-card writer. Very simple sentiment.
Italian director Gabriele Muccino, who first directed an American film in 2008 ("The Pursuit of Happyness," also starring Smith), seems to revel in the simplicity of the script. He directs in a mind-bogglingly pedestrian way, using one schmaltzy cliche after the next. The only real creativity is in the editing, which is at times intriguing. This film project could have gone somewhere. But unfortunately it never really got off the ground.
Even a good cast (Smith is joined by Rosario Dawson and Woody Harrelson, among others) can't do much with it. There's just so much actors can do when the screenwriter and director are aiming resolutely for superficiality.
An IRS investigator journeys about looking for good people to give stuff to.
The first act of this film is spent trying to hide information from the audience. I suppose director Gabriele Muccino thought that revealing Ben's history provided more dramatic impact if than the story itself could provide, and so she resorted to gimmickry, but all it accomplished was pissing me off. I like stories about good people trying to do the right thing in the face of horrid circumstances, and this is such a story, but it's simply not told well. Also, I think the story would have been more realistic had more people, especially Emily, questioned Ben's motivations; after all, in the real world people who do nice things are almost always accused of having ulterior motives.
Will Smith's performance is reserved and stoic, but unlike his other dramatic turns, like in The Pursuit of Happyness, Smith's natural enthusiasm doesn't come out; it feels like he's choking himself to remind all involved that this is heavy-handed drama. Rosario Dawson is good, playing the sweet, charming, damaged character with charm and grace.
Overall, there are an awful lot of flaws in the way the story is told, but I like the basic premise.
I held off writing a review for so long out of disgust that I kind of forgot what the film was about. So that's my review, one word: "forgettable." It's not quite so bad that you'll remember it, it's just boring and replaces any kind of emotional experience with bad music and bad montages. It never gives you enough information for you to empathize with the main character, and then, the reveal in the end doesn't make you feel anything, because all along, you were indifferent to the protagonist, anyway. I hadn't heard great things, so I wasn't disappointed per se, but I agree with most critics: this was a total misfire.
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