Seven Psychopaths (2012)
Critic Consensus: Seven Psychopaths delivers sly cinematic commentary while serving up a heaping helping of sharp dialogue and gleeful violence.
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as Man in Hat
as Young Zachariah
as The Butcher
as The Hippy
as Blonde Lady
as Catholic Priest
as Vietnamese Priest
as The Hooker
as Hispanic Guy
as First Cop
as Fellow Monk
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Critic Reviews for Seven Psychopaths
Although "Psychopaths" is an enjoyably confounding experience, some will be put off by its parade of esoteric ideas. But what a parade it is.
Seven Psychopaths may not add up to a whole lot, but McDonagh makes these small-time strivers and hoods fun to be around for a couple of hours.
There's never a moment in which "Seven Psychopaths" seems particularly original or inspired.
I'm not sure it all hangs together in the end, but McDonagh's grasping at something interesting.
Audience Reviews for Seven Psychopaths
A funny dark comedy that has some very inspired moments, but McDonagh doesn't know exactly what to do with the material in his hands, and so he keeps pulling easy tricks out of his sleeves at the expense of a more elaborate structure.
A Irish screenwriter living in L.A. has a little bit of problem: he's trying to write a new script based on this half-formed idea that he's got, something about seven psychopaths, something, only he can't get any work done cause his friends and acquaintances keep incessantly bothering him with the minutiae of their lives. What minutiae? Well, that they're all practicing psychopaths is probably a good starting place.
Round and round the mulberry bush then with this uber- black comedy from the same writer/director from In Bruges. It lacks the same punch, yet still is worthy of your time.
A boozy screen writer, his best friend and a professional dog-napper become the targets of a ruthless mobster when they unknowingly steal his shih tzu. The follow up to the brilliantly oddball In Bruges, Seven Psychopaths is clearly aiming more for the American mainstream, being very much in the Robert Rodriguez/Quentin Tarantino mold. It does have the same post-modern slant and zany humour of McDonagh's previous collaboration with Colin Farrell, who once again strikes up a winning partnership with his co-star, this time Sam Rockwell as the unhinged movie junkie desperate to re-enact his own revenge fantasy. As a whole it reminded me of Tarantino's early work with lots of Grindhouse style asides as they spew forth their ridiculous script ideas so it's not as original as In Bruges, but it's consistently entertaining and very funny and if you can imagine a version of Kiss Kiss Bang Bang parodying Pulp Fiction instead of Film Noir you're in the right ball park.
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