The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's sharp, smart and incredibly funny. But most importantly it's real, with none of the macho gangsta posturing that often makes tough, yoof-centric drama look like a lazy British retread of Grand Theft Auto.
Mercifully free of Danny Dyer cameos or Guy Ritchie mockneyisms, this works as both an entertaining gangster thriller and a hard-hitting piece of social realism. Absorbing, moving and authentic, Shifty never once strikes a false note.
Creevy's fine ear for dialogue, sensitive and productive direction of actors and confident control of tone is all the more impressive for being delivered under the short schedule and tight budgetary exigencies.
Written and directed by first-timer Eran Creevy, this quiet piece is mostly convincing in its mundane details, and doesn't feel the need to ramp up its plot too precipitately into guns and threats and spiralling vendetta.
For a debut feature, Eran Creevy's semi-autobiographical drama shows a remarkably light touch, set in an anonymous London suburbia far removed from stereotypical East End of the wideboy film tradition.
Creevy eschews the woozy, arthouse ambience of Duane Hopkins' Better Things - another portrait of a drug-decimated community - for naturalistic dialogue and performances within carefully framed and composed shots; properly cinematic, grown-up direction.
Couched in a kind of Pinteresque slum language that needs a glossary to be totally intelligible, the film boasts an authenticity and wholly natural performances, particularly from Mays, and is devoid of the usual clichés of its genre.