The Sign of the Cross (1932)

The Sign of the Cross


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Critic Consensus: No consensus yet.

Movie Info

Featuring a cast that included over 4,000 extras, numerous exotic animals gleaned from 12 zoos, and enormous, detailed sets, this Cecil B. DeMille religious epic chronicles the battles waged by Christians against Roman emperor Nero. Originally filmed in 124m and filled with a rich blend of spirituality and debauchery, including scenes of cannibalism, homosexuality, orgies, large scale murders, and torture, much of the first version was cut by the Hays office censors. Still it proved to be a … More

Rating: Unrated
Genre: Drama, Action & Adventure, Classics
Directed By:
Written By: Waldemar Young, Sidney Buchman
In Theaters:
On DVD: May 10, 2011



as Marcus Superbus

as Mercia

as Tigellinus

as Titus

as Stephan

as Strabo

as Servillus

as Philodemus

as Mute Giant

as A lover

as Leader of Gladiators...

as Christian in chains

as Complaining wife

as Woman Getting Gold f...

as Christian

as Christian

as Bombadier (1944 prol...

as Little Girl

as Spectator at Colosse...

as Lieutenant Herb Hans...

as Capt. Kevin Driscoll...

as Chaplian Lloyd (1944...

as Chaplain Costello (1...

as Hoboken (1944 prolog...

as Colonel Hugh Mason (...
Show More Cast

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Critic Reviews for The Sign of the Cross

All Critics (6) | Top Critics (2)

Cast is uniformly good, but only one exceptional performance is registered. That's Laughton's.

Full Review… | January 30, 2009
Top Critic

Not for people with scruples.

Full Review… | June 24, 2006
Time Out
Top Critic

The Caligula of its day.

Full Review… | August 22, 2010
Three Movie Buffs

The film's generous helpings of sex and violence are overwhelmed by its general air of condescension and phony piety.

Full Review… | May 3, 2009
Bryant Frazer's Deep Focus

It wasn't great when it was first released and it's definitely not improved since.

Full Review… | May 24, 2003

July 3, 2005

Audience Reviews for The Sign of the Cross

"the sign of the cross" is one of cecil b. demile's epic flicks, introducing the story of the prosecutions on christianity in the ancient empire rome.

it has charles laughton as the sinisterly merciless niro who enjoys witnessing his palace burned, claudette colbert as the lecherous empress who would arbitrarily disposes of her love rival due to the bitter jealousy, and fredric march as the love-crazed roman official who sacrifice himself for his love toward a fanatic christian woman. colbert exuberates the aristocratic sensuality in the floral bathing pond with her breasts vaguely baring, and lasciviously willful enough to respond her reluctant candidate of paramour "i love you" while he spitefully addresses her as tramp. except the slightly unproper curl bang, colbert paves the stepping stone for her niche of the 1934 cleopatra, another collaboration with director demile.

laughton's obese insolence also savors up (or uglifies) the image of empirer niro. fredric march's gallant is a flat character who could barely move anyone, and his dedication of love could be explained by the proverb "what you can't get is always the best." elissa landi's blonde christian lily is a dreary character with uncomprehesible religious fever. maybe demonstrating how sincere christian martyrs explored the path of this widely converted religion itself is a preachy topic, and it makes you probe how could a former cult with so many stubbornly radical followers get so overwhelmingly popular? the sign of the cross was the the zodiac mark then, and the main difference is it's been validified with pragmatic hegemony today.

demile's trademark is his lush vaudevilles, and the most intriguing one would be the snake-swaying lustful dance from a sedutress clinging to another female while the christian martyrs are marching outside with their jarring gospels. and mostly controversial of all, the circus theater of ancient rome plays various rousingly vile beast-human sequences, such as tiger nibbing child, ape rapping a tied naked woman on the pole, amazonian decapitating midget, crocodiles looming over a confined woman....and the last one, lions devouring christians. they're all disturbingly gory manifested by the stark tone of black and white, with enough explicit insinuations to suggest the brutality of roman mob, and the most unsettling of all, the wailing excitement and morbid amusement on the audience's faces.

you may wonder if christiany is really such a great religion that people are willing to be consumed by wild felines alive for march's last-min pledge out of his sudden elightenment or he's just a romantic steer willing to die with his lover?

Veronique Kwak

Super Reviewer

this pre-code religious epic with lavish sets and things they could not get away with in 1933 when the production code to effect.

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