Since Otar Left - Movie Reviews - Rotten Tomatoes

Since Otar Left Reviews

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Enrique Buchichio
Uruguay Total
March 30, 2005
La principal fortaleza del film, además de la atenta mirada y la sensibilidad de Bertuccelli, es ese impecable trío de actrices.
Full Review | Original Score: 4/5
Brian Gibson
Vue Weekly (Edmonton, Canada)
December 9, 2004
Bertuccelli neatly unpacks these three women's burdened lives and leaves us with a haunting souvenir-the last scene is a shimmering revelation.
Boyd van Hoeij
european-films.net
December 1, 2004
Bertuccelli convinces us of her capability of sketching portraits of incredible characters that are credible.
Top Critic
Tom Keogh
Seattle Times
November 12, 2004
Bertuccelli tackles Since Otar Left... with the kind of ambitious imagination that makes one marvel at a natural filmmaker's unexpected and original choices.
| Original Score: 4/4
Marc Mohan
Oregonian
September 17, 2004
A showcase for three very talented actresses.
Full Review | Original Score: A-
Top Critic
Marta Barber
Miami Herald
August 27, 2004
The finely crafted film shows the complex needs and anxieties of a three-generation family living in a country that has undergone dramatic political and cultural changes.
Full Review | Original Score: 3.5/4
David Nusair
Reel Film Reviews
August 21, 2004
...deliberately paced but always interesting...
Full Review | Original Score: 3/4
Top Critic
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
August 19, 2004
This emotionally rich situation is played for all its worth by the entire cast, but the standout is Gorintin.
| Original Score: B+
Donald Munro
Fresno Bee
August 18, 2004
You feel like you're watching a real family traipse through an uncertain world instead of actors creating relationships on the spot.
| Original Score: A-
Marty Mapes
Movie Habit
August 11, 2004
Competently made with occasional flashes of brilliance
Full Review | Original Score: 3/4
Top Critic
Peter Howell
Toronto Star
August 6, 2004
It is a film that understands women, but more importantly, understands life.
Full Review | Original Score: 4/5
Liz Braun
Jam! Movies
August 6, 2004
The film is as intense as all family relationships.
Full Review | Original Score: 3.5/5
Top Critic
Michael Booth
Denver Post
August 6, 2004
Otar and Lenin make terrific bookends on the post-communist experience for average citizens.
Full Review | Original Score: 3.5/4
Top Critic
Liam Lacey
Globe and Mail
August 6, 2004
Whatever film acting is about -- technique, presence or truth-telling -- [Esther Gorintin] got it.
| Original Score: 3/4
Harry Guerin
RTÉ (Ireland)
August 5, 2004
If you want a film whose ending is happy and sad at the same time look no further.
Full Review | Original Score: 3/5
Jeff Vice
Deseret News, Salt Lake City
July 9, 2004
It feels very real, as if the filmmakers have recorded some actual real-life moments.
Full Review | Original Score: 3/4
Top Critic
Roger Ebert
Chicago Sun-Times
June 25, 2004
Since Otar Left tells a story of conventional melodrama, and makes it extraordinary because of the acting.
Full Review | Original Score: 3/4
Top Critic
Allison Benedikt
Chicago Tribune
June 24, 2004
A film, in which fictional characters become human by talking as real people really talk.
Full Review | Original Score: 3.5/4
Top Critic
Carla Meyer
San Francisco Chronicle
June 11, 2004
A moving family drama.
Full Review | Original Score: 3/4
Luke Y. Thompson
New Times
June 10, 2004
Director Julie Bertucelli...doesn't have a very distinctive visual style, but she's aided tremendously by the architecture and scenery of Georgia
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