Sky Captain and the World of Tomorrow (2004)
Critic Consensus: Sky Captain and the World of Tomorrow is slim on plot and characterization, but the visuals more than make up for it.
|Rating:||PG (for sequences of stylized sci-fi violence and brief mild language)|
|Genre:||Action & Adventure, Mystery & Suspense, Science Fiction & Fantasy|
|Directed By:||Kerry Conran|
|Written By:||Kerry Conran|
|In Theaters:||Sep 17, 2004 Wide|
|On DVD:||Jan 25, 2005|
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as Polly Perkins
as Sky Captain
as Editor Paley
as Dr. Totenkopf
as Dr. Jennings
as Dr. Vargas
as Mysterious Woman
as Dr. Kessler
as German Scientist
as Executive Officer
as Communications Engin...
as Uniformed Officer
as Kalacakra Priest
as Dying Old Man
as American Broadcaster
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Critic Reviews for Sky Captain and the World of Tomorrow
This debut feature by Kerry Conran is a triumph not only for its technical mastery but for its good taste.
The clincher is how the actors are reduced to puppets and ciphers; Paltrow straight-jacketed in her Hildy Johnson-style two-piece and the evidently bored Law reduced throughout half the movie to giving the gimlet eye through flying goggles.
The script suffers from sloppy dialogue ("alert the amphibious squadron!") and plotting (a very vague Macguffin, risible exposition, two suspenseless countdown finales). But flimsy characterisation is the biggest problem ...
he visuals are phenomenal, rendered with so much love and passion that each frame is a marvel just to behold.
Audience Reviews for Sky Captain and the World of Tomorrow
After a second viewing, I lowered my rating significantly. This whole movie is exposition, with a ridiculously wooden plot. I appreciate the audacity of the style, but that's about it. Part of that early 2000s rash of terrible attempts to resurrect the 1940s style: lump this in with The Good German and Leatherheads, among other complete misfires.
A technical wonder of a tribute to the action/adventure films of 30's Hollywood ... lacking the most important element other than chills and thrills: character development, the human element, the ghost in the machine, the stuff that seduces an audience into caring about the schlubs jumping through hoops. The Indiana Jones series carry the same DNA and knew enough to break the action long enough so you got the impression of knowing the cliches always in harms way. This one regrettably misses that key ingredient. Still its a marvel of execution.
In an alternate version of wartime New York, a dashing mercenary tries to prevent the evil plot of a megalomaniacal German scientist and his army of giant robots. One of the first films to abandon sets and locations in favour of green screen CGI, Sky Captain still looks surprisingly good. As such, it can be blamed for everything from the sins of Lucas and Cameron to Sin City but although the CGI looks dated, the fact that it beautifully renders the retro look of the 1940s means that it never looks cheap and nasty. Add some gorgeous art deco production design and a very attractive cast and this film is still rather special to look at. The plot, although rather episodic and convoluted and often just an excuse to cue up another visual spectacle, does successfully capture the cheerful corniness of the Saturday morning serials it sets out to reproduce and although I did tune out from time to time when the actors' lips were moving, it never gets overly dull. An entertainingly cheesy homage to Flash Gordon and Buck Rogers that does exactly what it says on the tin.
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