The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
In attempting to pilot the franchise backward and forward simultaneously, the filmmakers have delivered the most unusual Bond film since the truly great (and truly bonkers) On Her Majesty's Secret Service in 1969.
Skyfall has fun playing with Bond's image, but the producers are wary of being too revisionistic. In fact, the film is good because it's such a stirring affirmation of the things 007 films have always done well.
Mendes's breezily, imaginatively directed film shows faith in the thrill of the real -- not the weightless dazzle of CGI but the feeling of actual objects (bikes, cars, Tube trains) crashing and colliding in a solid world.
Mendes and Deakins have] created the most beautifully deep focus context for Bond yet, pushing and pulling him into landscapes... that each promise the physically compromised spy nothing less than the most cinematically gorgeous sort of doom.