The Ballad of Buster Scruggs
Ant-Man and the Wasp
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
View All Snabba cash (Easy Money) News
All Critics (68)
| Top Critics (29)
| Fresh (58)
| Rotten (10)
| DVD (2)
It's gripping stuff - even if the original title 'Snabba Cash' is way cooler than the English one.
The story is overcooked and the gritty aesthetic (handheld cameras, desaturated color) borders on cliche.
One of the most involving of the many first-rate thrillers that have come recently from Scandinavia.
Chalk another one up for Swedish crime-thriller novels.
What really distinguishes it from any number of drug-escapade stories is the unusual and welcome sense of Dostoyevskian moral gravity of the narrative.
Although this Swedish vehicle is thoughtfully engineered and has some vivid streaks of color, it could use a jump start to escape the vanilla ice.
It's overlong and a little muddled in the third act but still a thrilling, energetic watch.
[A] smart, affecting, slow burn of a movie, a spectacular example of Nordic noir...
A heavily-armed, solid thriller directed with style by Espinosa, who takes us supermarket shopping at the eye level of a child.
With pounding synthesised music on the soundtrack, Easy Money moves like a razor-edged Frisbee that could cut off a player's hand or sever his jugular if he doesn't see what's coming.
Easy to watch, then, but hard to champion as a must-see.
A well-spun yarn ...
Superbly exciting crime thriller, based on the best-selling novel with the same name, by Swedish author and attorney Jens Lapidus. It's an engrossing story, where we follow the lives of three men - all from different cultures, but whose illegal activities bring them together at various points throughout the film. Mainly, however, it concerns the fascinating double life of Johan "JW" Westlund; an economics student who lives a luxurious life in the social spheres of the upper class elite, and pays for it by doing crime on the side.
Joel Kinnaman, who is best known outside the borders of Sweden for his role in The Killing, does an excellent job with the character, making him believable and incredibly interesting, as he gets sucked deeper and deeper into the criminal underworld of Stockholm and its suburbs. Honestly, I wasn't too impressed with Kinnaman when I saw him in The Darkest Hour and Safe House"(the latter of which is also directed by Swedish-Chilean film-maker Daniel Espinosa), but here he is in his right element and brings a lot of nuance and subtlety to his performance.
Another thing I really loved about this movie, is that it doesn't just show the ugly side of our characters' exploits. They abuse, trade in drugs and engage in corrupt and shady affairs, yet the movie never forgets about their humanity. In example, some of the film's most riveting and heart-gripping moments comes when Mrado, a brutal Serbian torpedo played by Dragomir Mrsic, tries to balance his violent life with taking care of his young daughter. It added something to the story that felt very authentic and original.
Technically, it's really well-made to boot. Theis Schmidt's outstanding editing, in unison with David Espinosa's firm and superlative directing, gave it a very professional touch, with a pacing that operates at the perfect speed. I have nothing to complain about there whatsoever.
Not many outside Sweden have probably heard of this film, but if you enjoyed the The Girl with the Dragon Tattoo, or any of the other Stieg Larsson films, you should definitely not miss this. I thought this was even better in some ways, which should be saying something about just how qualitative it is.
All in all, a surprisingly great neo noir piece, with powerful performances and a highly suspenseful storyline. I expected mediocracy, but was instead presented with a top notch action thriller, that kept me glued to my seat throughout.
Superb performances, an interesting mix of characters and believability are the strengths of this generically plotted but otherwise fascinating crime thriller, kinetically filmed and with a pulsing soundtrack.
A new crime classic. A masterpiece. A raw, stylish, exciting and explosive crime-thriller. Director, Daniel Espinosa crafts a fine, skillful and mesmerizing blend of characters, action, suspense and plot. It ranks with the works of Martin Scorsese. It comes from comes from great material that rivals with Stieg Larson. A riveting and tremendously exciting thrill-ride. An adrenaline-charged and heart-pounding movie that just shines and is a complete knockout. It grabs you and dose not let go until the very earth-shattering conclusion. It's bold, gripping, surprisingly moving and breathtaking. An intensely compelling and very powerful film. It's more than sizzle, it's red-hot entertainment that's fast, furious and laced with double-crosses and consequences. An intriguing and very involving first-rate thriller. A trio of brilliant performances from their three electric needs. Joel Kinnaman is sensational, he shows he's a promising and compelling leading man with charm, subtly and a fierce rage that's carefully hidden and shown only in the right moments. Mattias Padin is excellent. Dragomir Mrsic is electrifying, showing to be fearful and surprising vulnerability.
In "Easy Money," JW(Joel Kinnaman) is studying economics at university while driving a cab. One night at a party, he takes a liking to Sophie(Lisa Henni) but is told by his rich friends that she is so very much out of his league. In any case, it is probably a good thing that they do not know about his writing term papers for his fellow students, along with working for Abdulkarim(Mahmut Suvakci), a local crime boss. One such job for him involves tailing Jorge(Matias Varela) who recently escaped from jail, which brings him to the attention of Radovan(Dejan Cukic), Abdulkarim's rival. JW even goes above the call of duty, by rescuing Jorge from a savage beating from Mrado(Dragomir Mrsic).
I always admire a film with ambition like "Easy Money" to tell a multi-faceted story from as many different angles as possible to show the emotional cost of crime. While many of the surface details may seem familiar, the difference here is this being Sweden which may appear to outsiders to be as close to a classless society as possible in this world. But dig deeper and that's not the case at all with JW, from a small town in the north, being as much an outsider as the immigrants. However exaggerated it might be, there is a clear physical delineation between the fair haired Swedish characters and the darker complexioned Spanish, Serbian and Arab characters. That's not the only troubling aspect of the movie as it could have been much more tightly edited with an ending that seems sudden, even with a handy dandy epilogue. And it crosses into sentimental territory too often, especially with the Mrado and Lovisa(Lea Stojanov) Show which occasionally feels like it could have come from an entirely different movie.
View All Quotes
200 Essential Movies
Chosen by RT staff!
200 Freshest Movies
The best-reviewed since 1998
30 Great Scenes
30 great scenes in Rotten movies
Best of Netflix
Movies and shows to binge now
More News & Features