Sol LeWitt (2014)




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Could two American artists have less in common than Sol LeWitt and Llyn Foulkes? Yet both, in their own way, help define what is exciting and cutting-edge in contemporary art. LeWitt (1928-2007) - a notoriously camera-shy, self-effacing, and generous soul - counts among the 20th century's most esteemed conceptual artists. Dutch filmmaker Chris Teerink weaves together rare archival material with footage of the 2011 installation of Wall Drawing #801: Spiral - a glorious white line spiraling down the black wall of a cupola for more than 3 miles. Llyn Foulkes is the West Coast wild man to LeWitt's ascetic East Coast intellectual. Whether talking about his work and life, painting at all hours of the day or night, or making music (he literally is a one-man band), Foulkes embodies the obsessive rebel -- filled with anger, regret, fear, and narcissism - plus a great many hilarious stories about the L.A. art world. His wonderfully macabre paintings and constructions (some incorporating small dead animals) have recently been rediscovered, and his 8-years-in-the-making magnum opus, The Lost Frontier, was purchased by L.A.'s Hammer Museum. (c) Film Forum
Documentary , Special Interest
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Critic Reviews for Sol LeWitt

All Critics (6) | Top Critics (2)

"Sol LeWitt" will help you understand the art it depicts and allow you to appreciate those aspects of it that surpass understanding.

Full Review… | May 6, 2014
New York Times
Top Critic

Teerink paints a portrait of an intensely modest man who relished the idea of other artists carrying out his ideas, and, in the process, extending a given idea further than he himself had imagined.

Full Review… | May 6, 2014
Top Critic

It's an informative film, rich in ideas because LeWitt's ideas are rich, but it didn't make me curious either to see more of his work or know more about this oddly nebulous figure.

Full Review… | May 12, 2014
Film Comment Magazine

Though not dissimilar to other documentaries about artists, Sol LeWitt somehow feels much fresher and more original than those other productions and will hopefully catch on beyond fine-art enthusiasts.

Full Review… | May 6, 2014
Film Journal International

What first feels like a neurotic avoidance of Sol LeWitt the man instead becomes a kind of mirage of his life, as though he managed to evaporate into his body of work.

Full Review… | May 6, 2014
Slant Magazine

Teerink's reserved, spare form mirrors LeWitt's work, which gives it tremendous impact.

Full Review… | May 6, 2014
The Dissolve

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