The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The subject matter is a little too easy to overdo for that, but it is pretty good, thanks to a pair of fine performances from its leads and a director who understands understatement. And sometimes those can be as rare to find as a genuine musical prodigy.
"The Soloist" is not a film in which you anticipate Robert Downey Jr. will be twice doused in urine. Such are the territorial markings of Joe Wright, whose directorial quirks undermine moving moments and committed performances in this musical biopic.
The Soloist isn't the cringe-worthy Rain Man rip-off it might have been, but that's the only surprise this film has to offer. If it were a piece of music, it would be the kind you hear in a lift when you're stuck between floors...
A rich cocktail of all Hollywood's most endemic clichés, it would be easy to apply to The Soloist that rebuking tag, 'Oscar bait'. Its every move is calculated to pleasure and provoke the liberal classes, if only gently.