The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Somewhere, regrettably but unsurprisingly, is that same old yarn all over again-artfully crafted, intermittently amusing, relentlessly self-indulgent, and structurally identical to Lost in Translation.
It offers satisfactions and contentment: It's a succession of sensations, of being adrift in a city where the weather seldom changes, where the stars are always young, where children must make their own way. The sky is blue and clear.
[Coppola] examines boredom, privilege, torpor, laziness and adolescent daydreams with a kind of molasses slowness that no one else can touch. That's good because no other American filmmaker is really trying to touch it anyway.
The question is 'why should we care?' Yes Johnny's problems are real, but they're not going to mean much to anyone else. And when you've got a character and story that are true but unrelatable, all the craft in the world isn't going to help.
En principio atractiva e interesante, finalmente resulta previsible y carente de emoción, y perdiendo ante la inevitable comparación con Perdidos en Tokio (la mejor película de Sofia Coppola hasta la fecha, con la que tiene demasiadas cosas en común).