The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's no denying Coppola displays great understanding of wealthy ennui in Somewhere. And as a film stylist, she hits some fine grace notes. Still, she and we have been here before, and empty hotel life does have its limits.
The writer-director of "Lost in Translation" and "Marie Antoinette" has made the malaise of the privileged her special turf. Ennui is her milieu. And Coppola has a talent for revealing its existential and cultural dimensions.
The movie is funny in a dryly sardonic way about movie-colony rituals and easy sex, but the funk of a noodling movie star is hardly a revelation of the absurdity of the human condition -- or whatever Coppola was getting at.
Somewhere has strong echoes of Lost In Translation in particular, from the luxury hotels to an encounter with another country's bizarre television, but the style breaks rewardingly with what she's done before.
Both Dorff and 12-year-old Elle Fanning give lovely, unforced performances. You can feel a tenderness building between them, and also a vast, upwelling reservoir of things they can't or won't talk about.