The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Even if the world Kelly's concocted always seems screamingly incoherent, you have to hand it to him. He's made a movie of our messy times that's too ambitious to settle for merely capturing the mess. It actually is the mess.
Southland may be ambitious in its genre-defying abandon, sideswiping science fiction, satire, film noir and melodrama along the way, but it's also exasperatingly convoluted, self-amused and politically sophomoric.
Compared to the seemingly unsalvageable disaster Kelly screened at Cannes, this overcooked folly is a miraculous, Frankensteinian resurrection. Maybe this is grading on a curve, but I'd always rather have an excess of ambition than the opposite.
A colleague recently burbled to me that Southland Tales is "the worst movie of the year," and I could not disagree more. Yes, it's astonishingly bad, but it's far too demented to warrant that ultimate dishonor.