The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The other quite remarkable thing about Spider-Man 3 is the amount of dramatic ambiguity that was shot through the whole movie. Everyone in it has a rival of some sort and almost everyone takes a turn at being a jerk or a villain or worse.
Spider-Man 3 probably would have been better as two focused 80-minute films. The ambitious, overstuffed, and complicated 139-minute one that we have isn't as well-proportioned as its predecessor, but it's full of canny insights and bits that ring true.
Spider-Man 3 is the longest film in the series so far, and perhaps it tries to pack in rather too much. But it's intelligently directed by Sam Raimi and, with all those eye-popping set pieces, it's certainly never boring.
This is at least two movies crammed into one, and the seams are splitting; three villains, two love interests and a partridge in a pear tree means that Spider-Man has to fight for attention in his own film.
You know that the third Spider-Man had to be bigger. The third movie in a franchise goes for broke. And Spider-Man 3 is bigger, if not better. It's overdone, overlong, and overplotted. It's all over the place. This does not mean Spider-Man 3
It is like a buffet. You look at the cast and trailers and you just start drooling over all the options. But they just overdid it, stuffing you with filler, and the juicy part of the film didn't start until it was halfway through.
The third Spider_Man film is a bit like a web that's been hanging in a dusty corner for years: it's so weighted down with sticky bits and pieces of past detritus that it's in danger of being ripped apart by the new prey.
Too many villains, too many pale plot strands, too many romantic misunderstandings, too many conversations, too many street crowds looking high into the air and shouting "oooh!" this way, then swiveling and shouting "aaah!" that way.