Spike Island (2015)
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Critic Reviews for Spike Island
Though the story is drawn in broad strokes and overloaded with melodrama, director Mat Whitecross' exuberant feature understands the communal joy and personal necessity of rock 'n' roll.
The film has an engagingly zippy and colorful visual style, evoking the splashy Summer of Love motifs around the Roses, with allusions to their music videos and paint-splattered, Jackson Pollock-esque sleeve artwork.
[The Stone Roses'] debut long player is one of the few rock albums that might justly be assessed all killer, no filler; Whitecross and Coghill's sincerely intended love letter to the era, not so much.
Taking its cue from the sort of pandering nostalgia that usually gets peddled to Baby Boomers, Mat Whitecross' irritating Spike Island follows a teenage gang of the Stone Roses' superfans in 1990 Manchester.
Audience Reviews for Spike Island
From 1988 to 1991, The Stone Roses re-defined British guitar music in a way that has made every band since their halcyon days have a bit of the Roses' blood in their music. I had been expecting a tribute film of The Stone Roses for quite a few years now after finding out their astounding influence, but Spike Island definitely threw me for a curve-ball. First off the film tries to set itself up as an established coming-of-age flick in a style not unlike parts of The Breakfast Club with the Roses' music acting as the supporting story arc to drive things forward. The film for the most part takes place in Manchester in the Spring of 1990 when the Roses were at their cultural zenith which is shown by the clothes, the imitations of John Squire's paintings and the fact that almost every male character in the film has either Ian Brown's or John Squire's haircuts with Reni's hats making frequent appearances. The plot line is fairly simple; five lads can't get tickets to The Roses' seminal Spike Island gig so they decide to journey there anyway and get in any way possible as Elliott Tittensor falls head-over-heels for Game Of Thrones' very own Khaleesi Targaryen dragon queen Emilia Clarke who portrays Sally Harris with the film taking an unexpected turn into a romance after the Spike Island chapter closes with Tittensor and Clarke's characters surprisingly remaining together by the time the film ends without any fights going on between them although the same cannot be said for Tits and Nico Mirallegro's character Dodge. These modernized period pieces have been occurring a lot in the past few years with England wishing to re-live the nineties and late eighties being one of the biggest aggressors of this. The new adult generation desperately wants to relive the Cool Britannia period of the late nineties with Britpop, Camden Street, etc as it was in the supposed glory days and it seems that the early 90s Manchester movement has now also fallen victim to this nostalgia craze. Despite the film having a few redeeming moments throughout, one may wonder through all of this how long it will be until a similar film revolving around Radiohead or The Smiths appears. It can't be long now.
Emilia Clarke is by far the biggest main cast member in this film and she shows it, being the only one to muster a relatively capable performance. There is a bit of charm to be had, but any bright spot is drowned away by really tacky camera work and script lines. The cast looks like they're having a good time and an adventure, but I had a difficult time caring about them or even liking them beyond general neutrality. There were also a lot of little romantic sub-plots to boot, and a few of them were barely expanded upon, as if the director wanted the audience to daydream what happens for themselves. The romance was a bit cheesy. Frankly, it was overall a rather boring film. I did like the music choices though.
Every year, Hollywood's major studios use the annual summer movie season to bring audiences its biggest cinematic offerings. However, if reactions to many of the prequels, sequels, reboots, and spinoffs being churned out in recent years is any indication, those studios do not and have not had much to offer audiences in the way of anything original. Thankfully the independent studios out there have clearly picked up the slack from their more well-known counterparts. They have done so in quite impressive fashion, too. Movies such as Butter (2011-The Weinstein Company), The Decoy Bride (2011-IFC Films), Shanghai Calling (2012-Anchor Bay Entertainment), My Uncle Rafael (2012-World Entertainment Connections), Life's A Breeze (2013-Magnolia Pictures), The Voices (2014-Lionsgate), A Bet's A Bet (2014-Cinedigm), and so many others have proven time and again in recent years just how much the independent movie industry has to offer audiences. Now independent studio Level 33 Entertainment has strengthened that argument even more with the U.S. release of Spike Island this past May. Spike Island is a powerful coming of age story that centers on a group of five young men trying to get their band's demo tape to their favorite band, The Stone Roses. The display of the boys' personal growth throughout the movie will at times move viewers to smile and laugh, and at other times cry. That ability to so easily keep audiences engaged and in turn move them so much says plenty of the writing behind this movie. It in turn makes the writing the key element to note of the movie's success. Writer Chris Coghill's script makes for plenty of reason for audiences to check out Spike Island. It is not, however, the only reason that audiences will appreciate this movie. The movie's casting plays a dual role in its success. That dual role includes the very fact that the movie's cast is in fact made up of actual teens instead of older actors trying unsuccessfully to portray teens, and the its members' collective talents. Last but hardly least of note that makes the home release of Spike Island surprisingly interesting is its bonus material. The standard behind-the-scenes/Making of featurette is there. The standard cast interviews are interesting. That's given. But most interesting to note of the bonus material are the "Shadowcaster Studio Session" and "Zippy Drumming" footage. Both of these elements show that the movie's young cast members did in fact perform rather than pretend as if they were playing in a music video. This is a rarity when it comes to movies involving actors performing to that extent. So, it is nice to see and hear this approach used here. It is through this element as well as through the movie's script, and casting that Spike Island proves in the end to more proof of the importance and value of the independent movie industry especially considering the current state of the mainstream movie industry. Level 33 Entertainment's new drama Spike Island is one of the best movies that the independent studio has released to date. It is another example of the increasing validity of the independent movie industry and its equally growing importance when compared to that of Hollywood's major studios today. It proves this primarily through its script, which was crafted by screenwriter Chris Coghill. The script presents a story that centers on a group of young musicians living in Manchester, England that have dreams of being superstars. And their way of trying to hit it big is by going to see their favorite band, The Stone Roses, at an upcoming performance at Spike Island. Now it goes without saying that this is not the first time that any writer has ever used such a plot for a movie or even episode of a television program. However, Coghill did more than just make what would have otherwise been another stale, trite comedy. Rather he incorporated a much more dramatic element into the story to make it a work that will move audiences just as much as it will entertain them. The element in question is a balance of the boys' sense of self-importance and the reality of their naivety. At no point does Coghill try to go over the top with this balance. Instead he makes certain to make them one hundred percent relatable to his viewers. This includes the attention paid to the boys' having to balance the trials and tribulations of their personal lives with the happenings of their own intersecting lives as a "band." Such a realistic plot and equally realistic portrayal of the story's characters through the movie's script make Spike Island's script quite the impressive work and a solid foundation on which the rest of the movie's elements rest. The second of those elements in question is its casting, speaking of the story's characters. Chris Coghill's work on the script for Spike Island is exceptionally impressive to say the very least. Thanks to his creativity he has taken in his script a rather standard coming of age story and made it into a work that stands out from so many other works within that genre. For all that the script does for Spike Island it is just one of the movie's positives worth noting. The movie's casting does just as much for its success as its script. Its casting actually proves in not but two ways why it is so important to the movie. The central way in which it proves so important to the movie is the very fact that the cast is actually a group of teens. Casting director Jane Ripley is to be commended for paying attention to Coghill's script and making sure to make the cast not only the proper age for the story but was talented, too. It would have been so easy for Ripley to take the easy road and bring in a group of older actors and have them play younger characters as far too many studios do. Thankfully she opted to not take that route. Being that she took the high road and actually brought in a group of teens to fill out the story's roles, it made the story that much more believable. The collective talents of the cast in their roles took that believability and stepped it up even more. It is clear in watching this movie just how seriously the cast took its roles. Just as it would have been so easy for Ripley to take the easy road in casting the roles, it would have been just as easy for the cast to take the easy road and play up the teen stereotypes. But not one member of the cast did that. The result of that serious approach is a group of performances that is entirely believable and that audiences will in turn want to watch. It is yet another reason that audiences will agree that Spike Island is one of this year's best new independent movies. The work of writer Chris Coghill and that of Spike Island's cast (and of casting director Jane Ripley in having chosen the movie's cast) are both equally important to the success of this surprisingly entertaining and deeply touching story. While both elements play their own important part in the movie's success and enjoyment, there is still one more element to note in that success and enjoyment. That final element is the movie's bonus material. The standard "making of" featurette is there. And it goes without saying that getting to hear from the movie's cast and crew adds its own extra insight into the movie. But most interesting to note of the bonus material are the "Shadowcaster Studio Session" and "Zippy Drumming" footage. Both of these bonuses go to show that the movie's young cast actually was performing in the given segments. They weren't just performing to some pre-recorded work as if they were in a music video. That is made especially clear as audiences get to see Zippy (Jordan Murphy) handling drumming duties. Murphy really holds his own, too as he performs. This is so important to note because so few movies that include musical numbers actually feature their casts performing the music. Being that this movie's cast did in fact perform its given parts makes suspension of disbelief that much easier. It also serves to once again prove the importance of bonus materials in a movie. It shows that bonus material can make an otherwise forgettable movie into something worth the occasional watch, a good movie into an even better movie and a great movie into something even greater. In the case of this movie, these two bonuses come together with the work of the movie's script and that of its cast (and casting director) to make it one of this year's great independent movies. And in all honesty, they make it potentially one of this year's best movies considering the lackluster offerings by Hollywood's major studios so far this year. Spike Island may not be one of the biggest movies to be released this year, being an indie flick. But in comparison to the offerings from Hollywood's "Power Five" studios, it can be said that it is both one of this year's best new independent movies and even one of the year's best and most original movies overall. Its script takes a relatively oft-used plot element and expands on it to make a story that will keep audiences engaged from beginning to end, moving them quite deeply along the way. Thanks to casting director Jane Ripley and that of the movie's cast, suspension of disbelief becomes quite easy. The bonus material included in the movie's home release makes that suspension of disbelief all the easier as audiences see that the cast isn't just performing to a pre-recorded track in the performance scenes. Rather the cast is proven to actually be performing itself. That is rare both in the mainstream movie world and that of independent releases. All three elements combined, they prove wholly why Spike Island is one of this year's best new independent movies and potentially one of the best new domestic releases overall. Spike Island is available now in stores and online. More information on this and other titles from Level 33 Entertainment is available online now at: Website: http://www.level33entertainment.com Facebook: http://www.facebook.com/Level33Entertainment Twitter: http://twitter.com/Level33_ent To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and "Like" it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil's Picks blog at https://philspicks.wordpress.com.
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