The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
For long stretches of this tantalizing, romantic, aggravating film -- until just before its extremely satisfying ending, in fact -- I wished Lou had caught a little spring fever himself, cranked up the volume, and turned on the lights.
Some of it hits home, raw and emotional. Other sequences (a karaoke scene, moony shots of Nanjing) thrum with a tender melancholy. Most of it, though, is boring, nonsensical and off-puttingly convinced of its own worth.
Lou, helped by Zeng Jian's striking camerawork, captures very well the mood of drift and fragmentation in modern-day urban China. Compelling and messy in equal measure, it's a cine-letter to the future.
We're supposed to feel some kind of infinite sadness about our existential loneliness and vulnerability; but what I felt, despite a scattering of strong scenes, was a growing impatience both with the characters and the trite message.