The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There is something comfortable, even old-shoeish, about the new film, a sense, appropriate to its theme of coming to terms with middle age, that all aboard are pleasurably rediscovering their best selves.
If only director Nicholas Meyer had grasped the implications of his tale more fully and enthusiastically, this might have become a classic piece of cornball SF poetry, but as it stands the tepid acting and one-set claustrophobia take a heavy toll.
Although I liked the special effects in the first movie, they were probably not the point; fans of the TV series wanted to see their favorite characters again, and Trek II understood that desire and acted on it.
Here comes a sequel that's worth its salt. The second Star Trek movie is swift, droll and adventurous, not to mention appealingly gadget-happy. It's everything the first one should have been and wasn't.