The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It's both nostalgic and fresh, a tender homage to, especially, the initial Star Wars ("Episode IV: A New Hope"), as well as a bridge to help those of us stuck in the splendor of Hoth edge into the future.
That's what's so impressive about the tricky balancing act Abrams has pulled off with The Force Awakens: He's made a movie that's simultaneously gripping and a huge release. We are in good hands, at last.
Like their Star Wars forebears, Boyega's Finn and Ridley's Rey are brave, funny, and admirable but also imperfect, uncertain, and sometimes afraid. That is to say, they're genuine, multisided characters with believable motivations.
It's not just a comment on Disney's inescapable marketing barrage, but a sincerely intended complement that the fresh-faced heroes and antiheroes The Force Awakens introduces feels like future friends you've heard a lot about but are only just meeting.
Thrilling and knowing in all the right places, it's sure to satisfy fans that have breathlessly awaited its arrival for years. Unfamiliar with Jedi lore? You too will give in to the force of cinematic greatness.
This is a movie you don't want to end, despite a final shot that is one of the greatest in the franchise's storied history. Abrams has righted the ship. The "Star Wars" saga is back, and we are gleefully in it for the long haul.
An exhilarating ride, filled with archetypal characters with plausible psychologies, melodramatic confrontations fueled by soaring emotions, and performances that can be described as good, period, rather than "good, for 'Star Wars.'"
A triumphant return to form for the franchise - the best of the films since The Empire Strikes Back...It's also a rousing introduction to new characters who will likely carry this world forward through two more planned episodes and assorted spinoffs.
[Abrams ] has made an adoring copy of Star Wars, seeking to correct its perceived flaws, without understanding that nothing about that movie's context or meaning or enormous cultural impact can be duplicated.
Some may thrill with delighted recognition at the spectacle of yet another primal duel fought over a great void. Others, though, may know that the real test of myth-making lies in an ability not to repeat but to reinvent.
Though a definite improvement on the last three abortive "Star Wars" prequels... "The Force Awakens" is only at its best in fits and starts, its success dependent on who of its mix of franchise veterans and first-timers is on the screen.
The Force Awakens pops with memorable battle sequences, gives us chills with encore appearances by stars from the original trilogy and introduces more than a half-dozen terrific Next Generation characters.
The Force Awakens has succeeded where it counts most, in creating a cast of characters that viewers can spend the next several years rooting for, especially the spirited, resourceful heroine at its center.
[The film] is a state-of-the-art throwback, both retro and post-modern in its self-awareness. It doesn't just know that it's operating in the long shadow of a classic; it hardwires that understanding into its own DNA, making legacy a prevailing theme.
Ridley, Boyega and Isaac make equally charismatic heroes, and Driver is surprisingly effective as the sinister Ren. Star Wars: The Force Awakens is commercial American moviemaking at its best. May the Force be with it.
Is The Force Awakens equal to the original trilogy? Fans will have to face facts: Such unique magic can never be recreated... The new Star Wars films must create a universe of their own -- and they're off to a promising start.
It has the usual toy-store-ready gizmos and critters, but it also has appealingly imperfect men and women whose blunders and victories, decency and goofiness remind you that a pop mythology like Star Wars needs more than old gods to sustain it.
From the iconic opening crawl through the wordless last frames of Star Wars: Episode VII - The Force Awakens, director J.J. Abrams steers pop-culture's most beloved sci-fi saga in an exhilarating new direction.
The Force Awakens re-awoke my love of the first movie and turned my inner fanboy into my outer fanboy. There are very few films which leave me facially exhausted after grinning for 135 minutes, but this is one.
Abrams has adopted the relatively cautious strategy of essentially remaking the original "Star Wars," which allows him to delight fans by bringing back the original players while laying down the groundwork of the new ones.