The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
What to do with this light, while it lasts? [Director] Wagner's problem is to find an answer to that question and also to offer some resolution to the conflicts of honesty and compromise the movie portrays.
Has the patina of authenticity, but Wagner's characters speak in banalities that describe their all-too-familiar plights from the outside without getting inside their skins, as if they are trapped in the expositional stages of an old Broadway play.
Every time we leave his world -- full of mortality, and artistry and that seductive student -- to re-enter his daughter's, the film falters a little. And bit by bit, the tension fades, like a manuscript left in the sun.
Starting Out in the Evening has the feeling of a film in which the actors, left to direct themselves, played into their own self-indulgent instincts, and the only one who resisted was the old pro who knew better.
It would be easy to pass by Starting Out in the Evening through any one of a number of possible snap judgments -- too New York-y, too low-budget, too digital -- but you'd also be missing out on three of the best performances of the year.