The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Park Chan-wook [has]toned down the violence and perversity of his Korean output. But not by much. When a character... commends a garden's soil for its spade-yielding softness, you get the feeling he's not planning to plant begonias.
There is a freedom to his filmmaking; he's trying things, odd moods and unexpected edits and unconventional compositions. He likes to keep things popping, and you can't help but respond to the wit and playfulness of his style.
Wasikowska has that magnetic creep that pulls us to her, but the film is afflicted by the arthouse syndrome: it renounces its pulp roots and wishes to appear high-brow -- a pretension it can't sustain.
The shame is that while the film is as glossy as late DePalma, essential Hitchcockiness is swapped out for random ickiness, a sorrow in light of Park's own history of crafting sleek, liquescent, swamping fever dreams.
The sense of place, internal rhythms and fragile relationships are all developed with mastery by acclaimed director Chan-wook Park (Thirst, Old Boy) in this chilling film where obsession and secrets create an invisible curtain of terror