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Stone Reader Reviews

Page 1 of 3
Jason S

Super Reviewer

April 12, 2009
This isn't a good documentary. Towards the end of the film the director says he doesn't feel like finishing the film and in my mind I thought that I felt the same way.
This flick feels mashed together. He heads out on these trips to interview people about the book, spend a lot of his personal time and money to seek these people out, and he didn't even bother to ask if they remembered anything about the book before heading out. A lot of his problems could have been solved if he had asked "Do you remember anything about this book? No? Ok thanks anyway." Most of his interviews went downhill fast. Plus he seemed to talk most of time.
I really didn't feel like sitting through anymore when he finally tracks down the author and plans to meet with him. I pushed through the last half hour as he interviews the guy and when the movie ends I was upset. We received no answers to any of the questions that he had been searching for through the whole movie. All we had we a couple of random stories from this mans life and not once did the director think to ask... why did you not write another book?
This movie fails for a lot of reasons and the biggest one being the director being more interested in himself than the story he was supposed to tell.
_kelly .

Super Reviewer

February 29, 2008
The primary problem with this film is that the director imposes far too much of himself which is irrelevant to the film's purpose. While it is important to understand his relationship with this book, it is not necessary to watch several minutes of montage with voice-over of the director talking about his personal life, e.g. his schedule, his career, his family, things which in his perspective may have affected his making of the film, but are really just without impact or purpose. For being an avid reader, this obviously green doc director does not seem to understand much of the publishing industry, constantly questioning "How could this book slip through?" and yet never researching (reading up on) the publishing industry. His interviews are awkward; he doesn't always ask the right questions, but often his interviewee is intelligent enough to supplement these answers anyway. As a fiction writer, some moments tug at me emotionally, especially the agent's reaction to certain books and authors that are mentioned. This is really a movie for writers, not giving much informative insight into artistic process or the publishing industry, but more mere self-indulgence than anything.
rickumali
January 15, 2007
Why do we read? Why do we write? This meditative movie takes a journey to try to answer it. A reluctant author is found, also.
Kate I.
June 7, 2009
Totally self-indulgent, totally elitist.
Lisa H.
March 15, 2009
The only thing this movie excels at is clearly revealing the inexcusable and blatant rudeness of Mark Moskowitz. Over and over and over again the camera captures his arrogant, self-important irreverence for sensitive people far more intelligent than he is. We alternated between cringing and angrily yelling at the screen as he rudely barged into the offices of publishers, authors, professors, and the library at the Iowa Writers workshop, expecting them to drop everything and come scrambling to his aid. Does he expect everyone to cower in awe at his intelligence? He carries the expectation that people will suddenly come to the astounding realization that he is uncovering the novel of the billenium. The truth is that it was a good book, but that's no excuse for bullying people.

An aside, is it really a mystery that some authors only publish one book? Isnt that alone a triumph? Maybe it was ok that it went out of print. Obscurity has its benefits, when you have self respect.

Of course, Dow Mossman's obscurity was shattered when he received the phone call that fateful night, and he encountered Mark's rude, interrupting ways. Part way through the first conversation with the reclusive writer, Mark hands the phone to someone else with no warning at all. After waiting impatiently, you then see his hand grabbing to get it back, with no regard for the fact that two old friends are catching up after years apart. Unbelievable. But the camera never lies.

The only reason the movie is worth seeing is that regardless of Mark's rudeness, you get to meet several choice characters, and they do not disappoint. Mossman himself is thoughtful, and generous, and somehow manages not to hear as Moskowitz interrupts his profound reflections on literature.

If you were equally unsatisfied with this documentary, may we suggest King of Kong? One of the key ingredients to a successful documentary is unbiased interest, and the ability to restrain the self from interfering with the subject's life!

Mark, if you are reading this, please watch the movie and honestly ask yourself if you could have been a little more sensitive with Dow. Near the end, you interrupt him and say "Let's go upstairs." The next thing you know, Dow is meekly following you around as you enter rooms and root through drawers with no permission, as far as we could see. You treat his posessions with no respect. You charge through his basement looking through things, and he doesn't say a word. If he were a different person, maybe you would have been told to get the h*ll out of there and leave his things alone.

One last thing. That moment when Dow shows us a picture of himself with a big bunny rabbit. He carefully pulls it out of an envelope, and sure enough in seconds Mark is grabbing for it. Dow doesn't give it to him, but gently unwraps the tissue paper and shows it to the camera. Mark grabs again, and this time you can see him holding it with no respect, his thumb squarely in the middle of the print, i'm sure leaving some big thumbprint on it.

I'm sure Dow is grateful to have his book back in print, and you brought him back from obscurity. But does that excuse your unspeakable and constant rudeness?

It's not too late to change.
whisox
May 14, 2004
[color=black][font=Tahoma]Stone Reader is an interesting and well-made documentary about the search for a long-lost author who wrote one great book and then disappeared. The movie covers over two years of the director's life as he travels the country in search of the illusive author. The movie, in general, fascinating but it seems at point to be overly drawn-out. There are points when it appears that the director delays finding the author for the sake of talking to yet another former colleague. The interviews are in-depth and interesting. They are honest in a way that you generally don?t get from TV interviews? it was almost as if some of the interviewees didn?t think that the film would actually get released. The payoff at the end is worth it? as you get a glimpse of the subject-author and what has become of his life. It?s not a pretty picture. It?s a solid documentary, maybe not in the league of Capturing the Friedman?s, but it?s very good. [/font][/color]
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