Stranger on the Third Floor1940
Stranger on the Third Floor (1940)
Stranger on the Third Floor Photos
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as The Stranger
as Michael 'Mike' Ward
as District Attorney
as Joe Briggs
as Mrs. Kane
as Defense attorney
as Police surgeon
as Lt. Jones
as Court Clerk
as Boss McLean
as Truck driver
as Stout Woman
as Drug Store Attendant
as Lunch Counter Seat Man
Critic Reviews for Stranger on the Third Floor
... a paranoid murder thriller that, for all of its budgetary constraints, took viewers on a spiral of justified paranoia.
This low-budget B film is thought by many to be the first true film noir.
Audience Reviews for Stranger on the Third Floor
so it's a bit contrived and the lead actress is quite bad but this highly stylized film is considered the first noir with good reason: stunning art direction, especially the remarkable dream sequence, and great expressionist cinematography by nicolas musuraca. makes a powerful anti-death penalty statement as well
In "Stranger on the Third Floor," Michael Ward(John McGuire), a reporter, is the chief witness for the prosection in the murder trial of Joe Briggs(Elisha Cook Jr.), a drifter. During the trial, Michael's fiancee Jane(Margaret Tallichet) comes by to lend moral support. After Briggs is convicted of first degree murder and is likely to be sentenced to death, Michael starts to have second thoughts, especially after this strange dude(Peter Lorre) puts in an appearance. "Stranger on the Third Floor" is a dark little number with a very cool nightmare sequence. The movie is about how often appearances can be deceiving while taking a shot at the strict moral code of the time and this is an important lesson for Michael if he is to be a success at his chosen profession. However, the movie wraps a little too neatly and quickly, as more could have been done with the premise.
A good little B-movie about a journalist whose eyewitness testimony convicts a potentially innocent man of murder. The journalist himself then becomes a victim of circumstantial evidence after his despised neighbour is murdered. The plot is contrived and overuses both flashback and voice-over, but there's an excellent expressionist dream sequence in the middle. John McGuire makes a dull hero but Peter Lorre walks away with the movie with his 10 minute contribution.
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